First Time on Colored vinyl. Following a decade of stagnation and waning interest, legendary singer-songwriter Warren Zevon, who masked his soft side with his sarcastic, lyrical prose, entered the new millennium with his acclaimed 10th studio album Life'll Kill Ya. Though the album predated Zevon's fatal cancer diagnosis by two years, its title track, as well as standout cuts like "My Shit's Fucked Up" and "Don't Let Us Get Sick," brought the album critical praise as a "mournful lament on the aging process and the inevitable decay that accompanies it." Available now for the first time on colored vinyl. Ship To Shore PhonoCo's reissue of Life'll Kill Ya features expanded liner notes and rare photos from Jorge Calderón, Zevon's son, Jordan, and Dawes' Taylor Goldsmith. Other highlights include "Porcelain Monkey," which puts Elvis Presley in Zevon's sardonic crosshairs, a cover of Steve Winwood's "Back In The High Life Again" sounds as if it were written for Zevon, and "Fistful of Rain" is a melodious examination of the fickle nature of fame. Engineered as a comeback vehicle, co-produced by Paul Q. Kolderie and Sean Slade (the producing duo responsible for Radiohead's Pablo Honey), Zevon's songwriting collaborator Jorge Calderón added a lighthearted accent to Zevon's musical portraits of doom and gloom. Despite helping with a successful comeback, Life'll Kill Ya's content was revealed all too true when, in 2003, Zevon passed away of pleural mesothelioma. "I mean, the fact that life will kill you is just that," Zevon told Rolling Stone upon the album's release. "I think you have to spend a fair amount of time realizing that you will be, so that you'll remember to enjoy everything you possibly can every minute you're not. You always want to try and tell younger people that, which is very difficult because they don't really hear it because they feel a life has been imposed on them. And of course, they're absolutely correct."
Indie Exclusive * Third album from former Temptations member David Ruffin, the LP made it into the US R&B Top Five in 1973. David Ruffin was ranked as one of the 100 Greatest Singers of All Time by Rolling Stone magazine in 2008, and was inducted into the Rock and Roll Hall of Fame in 1989 for his work with The Temptations. Marvin Gaye once said admiringly of Ruffin: “I heard in [his voice] a strength my own voice lacked.”
"Indie Exclusive * Released in 1973, this record was the first Al Wilson LP for the Rocky Road label. The hit title track ‘Show and Tell’ shot to the top of the US pop charts, and also reached top ten in the R&B charts. Due to some poor business decisions by his label, Wilson never truly got the credit he deserved as a contending hitmaker, but Hidle Brown Barnum’s arrangements here come packed with gritty horns, lustrous strings and sultry soul vocals. These 11 sides are certainly worth collecting for any true fan of mid-70s soul music. Pressed for the first time in five decades and reissued on heavyweight white virgin vinyl."
We’re celebrating the 30th anniversary of the debut album from legendary hip-hop collective The Pharcyde with this exclusive RSD Essential 2-LP set of Bizarre Ride II The Pharcyde, pressed on clear with yellow + purple splatter vinyl.
Originally released in 1992 through the iconic Delicious Vinyl, this RIAA Gold-certified album was featured as one of Rolling Stone’s 500 Greatest Albums of All Time.
This album features the singles “Passin’ Me By” “Ya Mama” and “Pack the Pipe”, and is a must-have for any West Coast hip-hop fan.
Recorded at Ardent Studios and released in 1972, the album has gone on to become one of the most influential and iconic debut albums of all time. This 50th-anniversary edition is pressed on 180-gram metallic gold with purple smoke vinyl and features all-analog mastering by Jeff Powell at Take Out Vinyl. The album has been included in Rolling Stone’s 500 Greatest Albums of All Time, with the song “Thirteen” featured in its 500 Greatest Songs of All Time.
25-year anniversary deluxe reissue of Mood’s seminal debut record, Doom, originally released on September 23 of ’97. Included here on this anniversary reissue is the J Dilla Remix of “Secrets of the Sand” along with some nice album packaging; matte finish, alternate cover and black flooded jacket pockets/black dust sleeves, 180 gram vinyl.
40th Anniversary celebration of the album responsible for naming a genre! Originally released in 1982, Black Metal was the second full-length album from Venom and remains a major influence on Thrash Metal, Death Metal, and Black Metal. Includes the classic trio of Cronos, Mantas & Abaddon.
Celebrating Sun Records 70th anniversary, these Johnny Adams tracks have been remixed from the original multitrack tapes for optimal sound quality. The new album tracklist has never been printed on vinyl, inspired by his 1986 South Side of Soul Street. The offering includes his hits “Release Me” and “Reconsider Me” as well as previously unreleased or digitally-unavailable tracks: “Tender Side of Me - Alternate”, “Too Much Pride - Alternate”, and a brand new version of “Give Me A Chance”.
Blue is the fourth studio album by singer-songwriter Joni Mitchell, released on June 22, 1971, by Reprise Records. Written and produced entirely by Mitchell, it was recorded in 1971 at A&M Studios in Hollywood, California. Created just after her breakup with Graham Nash and during an intense relationship with James Taylor, Blue explores various facets of relationships from infatuation on "A Case of You" to insecurity on "This Flight Tonight".
Today, Blue is generally regarded by music critics as one of the greatest albums of all time; the cohesion of Mitchell's songwriting, compositions and voice are frequent areas of praise. In other words, this album is ESSENTIAL.
A remastered classic from the quintessential American girl group of the 1960s. Features the original European cover artwork.
Praised as one of the greatest records of all time, this newly remastered, 180-gram edition includes bonus material and a gatefold jacket.
One can't speak of California's famed desert rock movement without mentioning the visionary producer/musician Chris Goss. The so-called Godfather of the Joshua Tree-centered scene, Goss has produced famed and acclaimed albums by groups like Queens Of The Stone Age, Foo Fighters, Kyuss, Screaming Trees, and numerous others. Before he was known as a renowned producer though, he was the singer/guitarist and only consistent member of one of the most influential-yet-forgotten hard rock groups of all time: Masters of Reality. Masters Of Reality (Whose name was appropriately taken from a Black Sabbath song) had the distinction of being the only group signed to two different hip-hop labels of historical note: Def Jam and Delicious Vinyl. Originally label mates with Public Enemy and Slayer, Masters Of Reality's self-titled debut album was released by Def American in 1988. Two years later, Delicious Vinyl founders Matt Dike and Mike Ross, huge Masters fans, bought the band's contract from Rick Rubin and re-released the album with new cover artwork to renewed acclaim and commercial success. So many years later, Masters Of Reality's debut still feels like a hard-hitting breath of fresh air in a modern landscape of over-produced rock music
Inspired by Otis Redding and James Brown, Mickey Murray created his own groovy brand of Southern soul. His first hit, the horn-heavy “Shout Bamalama” brought him out of shoe shining obscurity and into soul stardom. Shout Bamalama and Other Super Soul Songs was originally released in 1967 and has been newly remastered to celebrate Sun Records’ 70th Anniversary. Mickey covers the full range of soul: get down with “Hit Record,” slow down with “Treat Him Right,” and rock to “East of Nowhere.”
Frank Ballard brings the party to Sun Records’ 70th Anniversary celebration with the newly remastered Rhythm Blues Party. Nicknamed “The Golden Voice,” he brings each track to life with his powerful vocals, backed by the Memphis-based Phillip Reynolds Band. Originally released in 1962 and last pressed on vinyl in 1981, Rhythm Blues Party features tracks written by Ballard, like the bluesy “I Just Can’t Help It,” the sultry “After Hours,” and the upbeat “You Gotta Learn to Rock & Roll.”
The fourth studio album by rock legend Chris Isaak was originally released in 1993 and subsequently certified gold in the US, Canada and the United Kingdom. Dedicated to the memory of sound consultant Louie Beeson, the album includes the titular track “San Francisco Days” in Isaak’s modern blues style, “Two Hearts”, “Can’t Do a Thing” and a cover of Neil Diamond’s “Solitary Man”. The lush, guitar-heavy record features James Calvin Wilsey, Rowland Salley, Danny Gatton, Jeff Watson and Tom Brumley.
Classic blues record re-mastered from the original tapes and on 180 gram virgin vinyl. Etta James' greatest ever album, and one of the greatest Soul LPs of all time. Original stereo version, re-mastered from the original tapes. Contains the hits "Tell Mama" and "Security." Also contains the original version of the blues classic "I'd Rather Go Blind." Recorded with the Muscle Shoals session guys at Fame studio.
“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.” With the help of collaborators such as Mike Patton (vocals), Jennifer Charles (vocals) and Kid Koala (turntables), Merriweather serves as your personal guide to the sensual side of life, painting a satirical, darkly funny portrait of love and sex with left-field hip-hop and instrumentals as only he can do.
With such iconic tracks as “Christmas Time is Here” and the instantly recognizable “Linus and Lucy”, the Vince Guaraldi Trio’s soundtrack to A Charlie Brown Christmas remains the second–best-selling jazz title in history, and was certified 4x Platinum by the RIAA in late 2016.
“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.”
First time on colored vinyl. Déjà Vu is the first album by the rock band Crosby, Stills, Nash & Young, and the second by the trio configuration of Crosby, Stills, and Nash. Released in March of 1970 by Atlantic Records, it topped the pop album chart for one week and generated three Top 40 singles: "Teach Your Children," "Our House," and "Woodstock." Without a doubt - Essential.
There's Nothing Wrong with Love is the second full-length album released by legendary indie rock band Built to Spill. It was originally released September 13, 1994, on the Up Records label. The line-up for the album was Doug Martsch, bassist Brett Nelson, and drummer Andy Capps, with Phil Ek producing. There’s Nothing Wrong with Love was wonderfully received by critics upon its release. It went on to earn “Best Albums of 90’s” notices from the likes of Pitchfork, PASTE & SPIN.
After making tsunami level waves in the industry after his 6 track appearance on Dr. Dre’s latest album, Compton–Los Angeles’s Anderson .Paak returns with his brand new LP, Malibu. After a whirlwind of press, accolades, performances and studio sessions with greats, Anderson .Paak took all those experiences and stirred them into his pot to formulate the silky-smooth Malibu album. The follow-up to 2014’s Venice features appearances from The Game, ScHoolboy Q, Talib Kweli, Rapsody, and BJ The Chicago Kid. The sonic backdrop to the album was provided by some of today’s hottest producers from 9th Wonder, Kaytranada, Madlib, Hi-Tek, RobertGlasper, DJ Khalil and more. With the good Dr.’s co-sign, Anderson’s talent, and his captivating live show, Malibu is sure to make Anderson .Paak a household name very soon.
A recently-found copy master of the original 1977 Track Records tape, without mud! This classic punk album, recorded in London by the NYC band featuring two New York Dolls, was always controversial - and not just for the acronym. On release in 1977 on Track Records, it was widely condemned in the press for having a "muddy mix" - later discovered to be a mastering fault. When Track went bust the following year, manager Leee Black Childers burgled the office and liberated the tapes - he found everything except the master tape.
Subsequent releases were remixes or compiled from outtake mixes - the latter "lost '77 mixes" in 1994 being the version commonly known since. Meanwhile, fans found the 1977 cassette version didn't have the infamous "mud", neither did certain European vinyl matrixes.
In 2020 a chance meeting led to Danny Secunda's archives. Danny was an old-school music biz pioneer who understood punk. He became a Track Records director and the Heartbreakers L.A.M.F. co-producer. In amongst his tape box archive were two with no artist name, marked "Copy Master 12.7.77". They turned out to be a crystal-clear "L.A.M.F.", just as the band and producers intended it.
Sadly, none of the Heartbreakers lived to hear of the discovery. In 2020 the Heartbreakers co-lead vocalist, guitarist and songwriter Walter passed away, the last of the Heartbreakers "L.A.M.F." line-up. First released as a much-in-demand RSD release in 2021, it now returns for its 45th Anniversary as a 'Record Store Day Essentials' release. A limited-edition in neon pink and white vinyl. With inner bag and notes by Simon Wright, and a new RSDE obi-strip.
Egyptology is the fourth studio album by World Party, released in 1997 and now remastered in 2021 for a 2022 release. Featuring the Top 40 British single “Beautiful Dream” and the award-winning “She’s The One”, released with a gatefold jacket and a bonus side recorded Live in NYC 1997. Available in limited edition, Egyptian Blue & Gold colored vinyl.
Portamento is the second studio album by Brooklyn band The Drums. The album took on the success of the first album and created another masterpiece with such instant classic songs as "Money", "Days", and "I Don't Know How To Love". Having recently celebrated its 10th anniversary, Portamento has proved that it is just as vital today as it was when it first was released.
This first live album by the band was recorded during seven performances in 1977. The first four shows were held at the Rainbow Theatre in London on August 1–4, 1977. The final three shows were recorded the following week at George Washington University's Lisner Auditorium in Washington, D.C. on August 8–10. The band was backed by the Tower of Power horn section.
- First time on colored vinyl, Robinson's 1974 debut studio album for Alligator Records. AllMusic calls this, "one of the most subtly satisfying electric blues albums of the '70s."
- The Mellow Giant of the blues, one of the genre's finest composers, most melodic singers, and sensitive and subtle guitarists.
- "Absolutely haunting power"--LIVING BLUES
When Heart Shaped World was released in the summer of 1989, it peaked at number 149 on the Billboard 200. In October 1990, Lee Chesnut, music director of WAPW in Atlanta, played the song "Wicked Game" repeatedly over two weeks after hearing a version on the soundtrack from the 1990 David Lynch film Wild at Heart. "Wicked Game" was released as a single, and the album reached the U.S. Top 10 peaking at number 7 on Billboard by April 1991, garnering sales of more than 500,000 copies.
Vinyl: $32.99 PREORDER
Introducing BLUEWERKS: The first-ever collaboration series between the two iconic record labels Blue Note & Astralwerks. Bringing together a collection of lo-fi tracks pairing the best of downtempo electronica together with jazz-infused sounds while bringing influences from all corners of the world.
First time on colored vinyl. Remastered for the first time since its original release in 2000, Mirror Conspiracy is the second studio album from ambient duo Thievery Corporation, the brainchild of Eric Hilton and Rob Garza. The lasting influence of this effervescent album on modern lo-fi music cannot be understated. The record includes the popular hits “Lebanese Blonde” which features vocals by Pam Bricker, and “Le Monde” with vocals by French singer Lou Lou Gehlickhani.
First time on colored vinyl. The debut album from Thievery Corporation was released in 1997 as a first-of-its-kind electronica record. The phrase “trip-hop” was coined in 1994 during the influx of alt-rock techno music and perfectly describes the acid-jazz tracks that make up the album. With a blend of lounge, electronic, and folk influences, this is a listening experience that caters to everyone. The remastered album features the signature track “Shaolin Satellite” and bonus tracks “Sun, Moon, and Stars” and “Sleeper Car.”