This album was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests & riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilisation of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
Steve Earle has been creating intimate and personal music for well over four decades now. His songwriting has wound itself along a path from Texas to Tennessee and his education came in the form of learning from the best. 2009’s Grammy-nominated record, TOWNES, was a tribute to his dear friend and mentor, Townes Van Zandt. Ten years later Earle released, GUY. An album concentrated on paying homage to the late Guy Clark and the indelible friendship that they had formed in stories told through song. 2022 welcomes the release of JERRY JEFF. A 10-song collection of songs written by the gypsy songman, Jerry Jeff Walker. Featuring hits like, “Mr. Bojangles” and “Gettin’ By”, Earle & The Dukes honor the late Texan by amplifying the concept and sound of each song with a full-band recording.
Drift, their fifth studio album sees PIANOS BECOME THE TEETH taking another sonic step forward to craft a musical statement that truly transcends genres.
For the recording of Drift, the band took it back to basics, starting at a family-owned cabin in the woods of Virginia, that they transformed into an analog recording studio. The band lived together, recorded together and ate dinners together where they would listen to the day’s recordings, talk about them and pull them apart and reworking them, creating what may be their finest album to date.
Per front man Kyle Durfey, “Something that we really took away from this experience was just the connection we had together. We produced the record ourselves with our longtime friend/collaborator/engineer Kevin Bernsten who recorded our first two records.” The recordings that the band created using innovative recording techniques, recording 100% analog are sonically transportive and certain to mystify and inspire generations of recording artists. All the echoes were made with old echoplexes and tape delay, which made for a really organic record. With Bersten’s help the band was able to take some of the weirder and more ambitious ideas they had and turned them into reality making this a fantastic album for immersive headphone listening.
PRE PLEASURE, the beautiful new full-length album from Australian native Julia Jacklin, finds the musician at her absolute peak, delivering ten of the most personal, raw, and devastating songs of her career. Featuring stand-outs such as "Lydia Wears A Cross," "Love, Try Not To Let Go," and the driving "I Was Neon," the album is a clear portrayal of Jacklin's captivating strength as a lyricist, and her undeniable talents as one of the most gifted songwriters of the decade.
The first-ever authorized and in-depth archive in Blondie’s history, a rarity for a band almost 50 years into their career with 40 million records sold. Against The Odds: 1974-1982 features 124 songs (36 previously unreleased) remastered from the original analog tapes and cut at Abbey Road Studios. Super Deluxe Collector’s Edition presents their first 6 albums expanded to include over 4 dozen demos, alternate versions, and outtakes - plus, a 120-page discography and a 144-page hardback book. 10 LPs/10” LP/7” Single.
Brotherkenzie is the solo output from Minneapolis producer and songwriter Nathan Stocker – and, through the project, lives in the shadows, operating on the outskirts of the music industry, something he’s grown increasingly less interested in as he ages. Brotherkenzie’s music is a chasm carved from honesty and earnestness, the result teetering between catchiness and pop, but with sharp edges.
On the cover of Nathan, Stocker is about to be enveloped by an enormous black box in a deadened Minnesotan sprawl, framed by the eeriness of placid blue skies, the suggestion of a cold wind. It’s like a snapshot of calm caught in a moment before something bad happens, but you don’t know quite what that bad is yet. The looming black mass is a physical manifestation of narcissism – and Nathan is an exhaustive exploration of that. It’s an artifact of what happens when you listen to, and obey, your demons. A final look-a-round at the dirt you’ve known your whole life before descending to the eternal what-have-you.
The record is a re-introduction to Stocker’s solo output as brotherkenzie; his last release, 2020’s BIG WHAT closed the first chapter of the project, while Nathan explores the afterlife of a creative death. The 12 songs collected here are intended to signify a new brotherkenzie era: one embracing sex and heathen ideals. Even the title vies for blasphemy; Stocker’s attempt to divorce his first name from its loaded religious meaning and instead take ownership of it. It’d be easy to say it’s in response to Stocker’s deeply religious upbringing, but that’s too simple – instead, it’s an exercise in “what if’s?,” leaning into the dark side, interested in exploring what it means to be satanic without ever mentioning a devil – or any type of God, or religion – by name. Instead, Stocker wonders what happens when you die and are reborn as a demon. When you operate without goodness in mind. Is that a mode for something true? Even if it’s evil?
Stocker wrote these songs from March to November of 2020. It was isolating in the usual ways for that time, of course, but he was also juggling a number of relationships that were unhealthy for a myriad of reasons. He was stuck in a cycle, unable to escape, and every time he sat down the self-loathing and demons came out. Here he examines that self-destructive tenderness, observant of the way he was then but not fraught over it. Instead, he’s like a documentarian of trying times; of what it feels like to grow a new epidermis instead.
25-year-old GRAMMY-nominated artist Marcus King prepares to release his new album, Young Blood, produced by Dan Auerbach of The Black Keys via Rick Rubin's American Recordings/Republic Records. He has toured with The Marcus King Band for over 10 years, as well as tours with Chris Stapleton, Greta Van Fleet, and Nathanial Rateliff. He’s released 3 LPs with The Marcus King Band before his GRAMMY-nominated 2021 solo debut LP, El Dorado. Indie Exclusive Yellow LP.
As a singer, songwriter, and author whose incendiary music has soundtracked the Netflix show Sex Education, Ezra Furman has for years woven together stories of queer discontent and unlikely, fragile intimacies. She has a knack for zeroing in on the light that sparks when struggling people find each other and ease each other's course. All of Us Flames widens that focus to a communal scope, painting transformative connections among people who unsettle the stories power tells to sustain itself. Produced by John Congleton in L.A., All of Us Flames unleashes Furman's songwriting in an open, vivid sound world whose boldness heightens the music's urgency. The record arrives as the third installment in a trilogy of albums, beginning with 2018's Springsteen-inflected road saga Transangelic Exodus and continuing with the punk rock fury of 2019's Twelve Nudes. "This is a first person plural album," Furman says. "It's a queer album for the stage of life when you start to understand that you are not a lone wolf, but depend on finding your family, your people, how you work as part of a larger whole. I wanted to make songs for use by threatened communities, and particularly the ones I belong to: trans people and Jews."She wrote much of Flames during the early months of the pandemic. "I had no time alone anymore; my house was super crowded," she says. She drove to seek solitude, parked in arbitrary quiet spots around Massachusetts, and began to write. The songs that came flowed toward ideas of communality and networks of care, systems of survival cultivated by necessity among people who have been historically deprived of them
DJ Khaled / GOD DID - Clocking in at just under one hour, the star-studded 18-track record features guest appearances from the likes of Drake, JAY-Z, Eminem, Future, Travis Scott, Rick Ross, 21 Savage, Kodak Black, Nardo Wick, Takeoff, City Girls, Don Toliver, Kanye West, SZA, Lil Baby, Lil Durk, Gunna, Quavo, Latto, Roddy Ricch, John Legend and the late Juice WRLD. "The tear represents tears of joy from God's blessings," Khaled wrote on Instagram in reference to the album cover. "Thank you god for blessing my family, my friends and my fans. When nobody believed, YOU DID! I praise you daily. We're here to do GOD'S WORK!!" EPIC
Alanis has been a long-time advocate in the mental health and mindfulness space and this is an extension of that. The music is an aural journey of soothing instrumentation and expressive mid-tempo percussion; 3 of the 11 tracks include atmospheric vocal tones. Since 1995, Alanis Morissette has been one of the most influential singer-songwriter-musicians in contemporary music. Her deeply expressive music and performances have earned vast critical praise and seven Grammy awards. Morissette’s 1995 debut, “JAGGED LITTLE PILL,” was followed by nine more eclectic and acclaimed albums. She has contributed musically to theatrical releases and has acted on the big and small screen. Outside of entertainment, she is an avid supporter of female empowerment, as well as spiritual, psychological and physical wellness. In 2016, Alanis launched Conversation with Alanis Morissette, a monthly podcast that features conversations with a variety of revered authors, doctors, educators, and therapists, covering a wide range of psychosocial topics extending from spirituality to developmentalism to art. On December 5, 2019, “JAGGED LITTLE PILL” the musical made its Broadway debut at the Broadhurst Theatre in New York City.
Twisting and contorting the English language to fit the meter and his every whim, Lupe Fiasco uses his superb lyrical skill to process the changing world in which he lives. Drawing connections between the concrete and spiritual in his hometown of Chicago, Lupe announces DRILL MUSIC IN ZION, his next album. The product of a burst of thoughtful spontaneity, Lupe created the new album over a short period, diving into a folder of beats sent by his longtime producer Soundtrakk and emerging with a fully-realized album in just three days. “Soundtrakk is the swordmaker, I’m the samurai," says Lupe. "He’s the mechanic, and I’m the driver.” Armed with Soundtrakk's soulful sounds, Lupe creates a focused statement that reflects on the past and paves a way forward, preaching strength through mindfulness and self-sustaining community. DRILL MUSIC IN ZION arrives digitally on June 24th via 1st & 15th/Thirty Tigers. The physical release is set for August 26 (CD, Black Vinyl, and Indie-retail exclusive blue vinyl).
His first new album since 2018's DROGAS WAVE, DRILL MUSIC IN ZION marks the start of another chapter in Lupe's illustrious career. The proud Chicago native has already had a busy 2022, marked with sold out shows, new music, and much more. Lupe recently closed out his "Food & Liquor Tour," a series of performances in which he plays his debut album in full. He paid tribute to his hometown in the reflective, self-produced "100 Chicagos," and dug into the archives to share "Hustlaz," a previously-unreleased song originally recorded before the release of the now-classic debut album Food & Liquor. Beyond music, Lupe continues to focus on the community organizations he founded, including We Are M.U.R.A.L, The Neighborhood Start-Up Fund, Society of Spoken Art, and his cross-cultural content venture, Studio SV.
Vinyl LP pressing. 11:11 is the debut album by Regina Spektor that was originally self-released in July of 2001. The album was sold at Spektor's early shows, but has since been long out of print. 11:11 has now been remastered and is available once again.
William Orbit returns with his first new album in over eight years. Entitled ‘The Painter’ it is unmistakeably William Orbit and features vocal collaborations from an array of artists including Katie Melua, Beth Orton, Georgia,Polly Scattergood, Ali Love and more.
Kaitlyn Aurelia Smith’s solo work has drawn acclaim from all reaches of the experimental music world including Pitchfork, NPR, The Wire, and Rolling Stone. The new collection, Let's Turn It Into Sound, finds Smith pushing the boundaries of her craft, inviting new colors, shapes, and frequencies into her symphony of synthesizer music. The resulting material is more percussive, vocally-driven, and adventurous, her boldest charge of electricity to date. This will be Kaitlyn’s fourth release with Ghostly and her second solo album with Ghostly.
A special collection of cover songs curated and performed by GRAMMY®-nominated artist Valerie June. Under Cover features singular interpretations of some of her favorite songs including Mazzy Star’s “Fade Into You,” Frank Ocean’s “Godspeed,” Nick Drake’s “Pink Moon,” and more.
Floating is complicated. It can symbolize success, as a cream rises to the top. It can boast of achievements and richness, paired with a feathery effortlessness. To float on air, to live a sublime existence.
Biitchseat finds themselves riding through the peaks and valleys of emotional waves as they explore new depths in their sophomore album, Float. An album that is about how every aspect of what it means to be alive is simultaneously so hollow and so very full, and the beauty that resides in between.
Opening the album,I'll Still Be Thinking of You sets the tone of Float with pounding theatrics overlaid by lyrics that explore the balance between empathy and insecurity, all the while taking Biitchseat into a larger than life sound. As the album finds it's second act,Blackberries and Cherry Cola initially serenades the listener with tales of coping with the isolation of the current world, before eventually the feelings of inescapable containment explode with the synthesis of"outdoors just keeps sending me inward more."The album eventually closes with Make Your Mark, a reflection on a past version of the storyteller longing for easier times."Would you sing me back to sleep so I can dream of being near you?"
Through their unabashed pop and shimmer, Biitchseat takes the aesthetic of 90s alt-rock favorites like Liz Phair and The Breeders and re-engineers it to be as catchy as it is complex and timeless.Their music builds a stage for their lyrics to thoughtfully lay bare the many anxieties and discomforts faced by the modern20-something. Will it float?
"You can't have good relationships with bad people." The desire to build good things with good people wins in Hoge's opinion, and with themes of love, trust, vulnerability and sacrifice - Hoge explores the real stuff on new album "Wings On My Shoes."
During the heart of a worldwide panic, Seattle band Scarves crafted Delicate Creatures. In the act of distilling a collective dread into vibrant indie-rock chapters, Scarves finds the optimism that we perhaps all need. By breaking open the prosaic moments in life, Scarves honors the anxiety we all share. The result is a record that revives the creative spirit of late 90’s bands like Built to Spill and Pavement, while crackling to life with the idiosyncratic highs and lows of today.
As you can probably glean from the title, Bret McKenzie-whom you know from such modern musical treasures as comedy duo Flight of the Conchords, the Muppets movie reboots and other ace kid-film soundtracks, Lord of the Rings fan blogs, guest songs for The Simpsons, cycling around the streets in his native New Zealand, and more- has a new solo record coming out filled with songs that ARE NOT COMEDY SONGS! There. Doesn't that feel better? Sometimes it helps just to get it out in the open. So, yeah, Bret's a ridiculously funny dude, and you might even call him one of the best comedy songwriters in the biz. (In Bret's own words, there are fewer than a dozen people in the world writing comedy songs today, but who's counting?) He's had smash hits, he's won major awards, he's the better-dressed part of his duo... he's got a good thing going! So, what gives with this whole "songs without jokes" solo stuff, man? The Conchords landed McKenzie and Jemaine Clement a hit HBO TV show, a BBC Radio series, chart-topping records, world tours, a Best Comedy Album Grammy, and a 2018 "reunion" special. McKenzie transitioned to Hollywood, writing songs for 2011's The Muppets (winning a Best Original Song Oscar for "Man or Muppet"), 2014's Muppets Most Wanted, and films in the Pirates! And Dora canons. While he enjoyed and excelled at the work, he wondered where his songs might go if set free of all that plot-bound specificity. And so, while in Los Angeles a few years back, recording movie music with a crack assemblage of legendary session musicians, McKenzie started playing around with a tune or two he had written simply as songs-songs without any external direction, songs without plot-pushing concerns, songs without jokes. The results reveal McKenzie's talents on multiple instruments (he's a veteran of several non-comedy bands in New Zealand back in the day, most notably the reggae-based fusion group The Black Seeds), and his affinity for wry, literate artists like Harry Nilsson, Steely Dan, Randy Newman and Dire Straits. Written mostly during the quieter moments of 2019, with his life split between work in Los Angeles and his family in Wellington, the songs of Songs focus on themes of escape, the perpetual search for peace, and navigating a life being pulled in multiple directions at once. There are also simple meditations on driving through a city, and the weather. McKenzie was inspired by the path icons like Newman and Nilsson had paved, where a silly or playful number could be sandwiched directly between a song about heartbreak or an earnest redemption and a scathing satire or character commentary. He threw a bit of everything into the mix, recording ideas on his phone at home in New Zealand after the kids had gone to sleep. Back in LA, he fine-tuned the songs with his longtime producer and collaborator, Mickey Petralia, and longtime film collaborator Chris Caswell created charts for that same ensemble of session players with whom they'd recorded so many pieces for film. The majority of songs were then recorded at United Studio in Los Angeles in just a few takes. While the album may be free of traditional punch lines, it doesn't lack a sense of humor. It showcases a new stage of McKenzie's career, to be sure, but one that isn't so far removed from his past work and true artistic self. Like Jim Henson before him, who made a career of blending the silly with the sincere and the playful with the profound, McKenzie also aims to connect rainbows to the ridiculous.
Emerson, Lake & Palmer - Singles - 12 ELP 7" Singles A career-spanning collection, 1971-1992, this box set of fan favorite singles have all been remastered by world-renowned ELP mastering engineer Andy Pearce. Includes "Lucky Man," "From The Beginning," "Fanfare For The Common Man," "C'est La Vie," "Jerusalem" and more. 2-part, deluxe rigid card box with artwork printed on holographic foil. Original international single picture sleeve and label artwork, reproduced for the first time since original release. Alongside each single artwork is a newly imagined companion 7" art card. Box also contains an extended booklet with detailed notes, foreword from Carl Palmer and rare band photos.
Vinyl LP pressing. 2022 release. Real Rare Whale is Dune Rats fourth long player and was recorded with acclaimed producer Scott Horscroft. The band relocated to Eden on the south coast of New South Wales for three months at the height of the pandemic and set out to write an album that was opposite to the negativity going on in the world. The result is an album full of fun and melodic rock n' roll. Real Rare Whale is hands down the fastest, funnest and most insane album we've ever recorded, the Dunies said on recording the album. It's an album that expresses the love of music and writing songs. Songs that will be epic to play live to thousands of sweaty bodies having a great time. We waited until now to release it as we know it won't be long until shows start back up and we can be where we are meant to be, on stage having fun.
Hi-Tide presents Charlie Halloran & The Tropicales’ debut album, Shake the Rum, featuring 11 scorching ’50s numbers from Trinidad, Martinique, Guadeloupe, and Venezuela given the New Orleans treatment. These classic calypsos, biguines, and waltzes are guaranteed to melt the ice in your Mai Tai and set the vibe at your next pool party. Indie Exclusive Pink LP. Limited Edition.
The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton* stack of vinyl
Beat Konducta In Africa contains over forty instrumental hip-hop tracks produced and mixed by Madlib. This epic “beat tape” springs from obscure vinyl gems culled from the afro-beat, funk, psych, garage-rock, prog-rock and soul movements of countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and the Ivory Coast.
in loving memory is the highly anticipated new album from multi-platinum selling singer, songwriter and producer blackbear. This collection is blackbear’s sixth studio album, and illustrates a return to his most authentic self and taking back control of his sound with his most reflective, nostalgic, and personal album to date. While recording a track called “the idea” in 2021 with Travis Barker, blackbear was inspired to create an entire album that gave him that same feeling of nostalgia of leaning into his pop-punk and emo beginnings.
Since first crashing onto the scene in the mid-2010s, blackbear has defied all expectations, effortlessly mixing his hedonistic hellraising and maniac humor with deeply heartfelt emotion. Establishing himself as one of the most sought-after artists for collaborations in the industry, blackbear has recently been featured alongside Travis Barker on Avril Lavigne’s newest song, “Love It When You Hate Me,” He’s produced and written hit songs for leading artists in the music industry such as Billie Eilish, Ellie Goulding, Maroon 5, G-Eazy, Justin Bieber, Kane Brown and Charlie Puth.
Originally released in August, 2019, “We Are Not Your Kind” is now available as a 2LP, light blue colored vinyl release. Guitarist Jim Root noted, “This is most time we’ve had to write a record, and work stuff out together. One of my inspirations this time around was those artists that recorded full length albums - not just songs. While the industry is moving toward singles, Slipknot wanted to make an album experience, front to back.”
Filled with the fury people have come to expect from Slipknot as well as some extraordinary surprises, this album is the culmination of the band's 9 unique members, 3 platinum albums and their 10 year journey at the top of the Hard Rock genre. The album is a cohesive statement about the world today and truly cemented the band as one of Rock's heavyweights. This album is now available as a 2LP, orange colored vinyl release.
Thoughtcrimes, the Long Island-born five-piece, featuring ex-Dillinger Escape Plan drummer Billy Rymer, who Alternative Press placed at the top of their list of new hardcore bands, describing their music as “…a familiar mix of ultra-heavy hardcore with a hint of groove and some melody,” release their highly-anticipated full-length album, Altered Pasts, on Aug. 26 via Pure Noise Records.
Jim, I'm Still Here is the second solo album from James Righton. Produced by Soulwax and released on their DEEWEE label, it follows his 2020 release, The Performer. James' musical past is well documented as the frontman of the genre-inventing Klaxons. His new record is a captivating meditation on the artist's experience during the pandemic as he looks to conceptualize the myriad of emotions into a fascinating 3rd-person narrative. The track, "Empty Rooms," features Benny Andersson of ABBA.
Meechy Darko, an artist who has achieved both critical acclaim and commercial success as one-third of Brooklyn hip-hop group Flatbush Zombies, is well aware that the “crazy shit, crazy-colored hair and psychedelics” of his group are imprinted in the brains of many fans, but on his solo debut album Gothic Luxury (executive produced by Dot Da Genius) there is a through line of brutal honesty and catharsis which prove him to be one of the rawest and most candid rappers in the game.
93FEETOFSMOKE'S album GOODGRIEF features new collaborations from guardin, phem, Extra Large Holiday Card + more. The album is about surprise and frustration; 93FEETOFSMOKE tends to have bad luck even when he does everything right. Produced by 93FEETOFSMOKE, Aaron Osborne + Nick Bailey, mixed and mastered by Patrick DiCenso.
Earlier this year, Bastille released Give Me The Future, a record that explores a future free from restrictions. The album embraces a new wave of technology, which enables us to get lost inside our imagination and travel back and forward in time to be anyone or do anything. The band is adding a new installment to this critically-acclaimed release, with a 3-part extended edition of the album, Give Me The Future + Dreams Of The Past, featuring new songs, collaborations, covers and reprises. 2 CD.
Primed for a massive summer, multi-award-winning Billboard chart-topper Sean Paul heats up 2022 with Scorcha, his 8th full-length album and Island Records debut. The album is a collaborative celebration of his Jamaican heritage and dancehall roots in which Sean trades the mic with Buju Banton and Damian Marley. Dancehall can be stereotyped as a competitive, macho space where sound clashes are king, but 2021’s Live N Livin set out to emphasize what’s possible when unity is the goal.
Following their 4th World Tour "III,” TWICE is back with an 11th mini album BETWEEN 1&2. This new album is available in 4 versions: Archive, Cryptography, Pathfinder & Complete. Contents include CD, Photobook (80 pgs), Sleeve, Box, Photocard (random 5 of 45), Film Photo Sticker (random 1 of 9), Polaroid Photocard (random 1 of 9), Folded Poster (random 1 of 9), Message Photocard (random 1 of 9), Heart Glass, Crossword Postcard (random 1 of 9). NA Retail Exclusive: Photocard Set & Folded Poster.
When we started our family group, The Staple Singers, we started out mostly singing in churches in the south. Pops saw Dr. Martin Luther King speak in 1963 and from there we started to broaden our musical vision beyond just gospel songs. Pops told us, “I like this man. I like his message. and if he can preach it, we can sing it” So we started to write “Freedom Songs,” like “Why Am I Treated So Bad,” “When Will We Be Paid For The Work We’ve Done,” “Long Walk To DC,” and many others. Like many in the civil rights movement, we drew on the spirituality and the strength from the church to help gain social justice and try to achieve equal rights.
We became a major voice for the civil rights movement and hopefully helped to make a difference in this country. It was a difficult and dangerous time (in 1965 we spent a night in jail in West Memphis, Arkansas and I wondered if we’d ever make it out alive) but we felt we needed to stand up and be heard.
So for us, and for many in the civil rights movement, we looked to the church for inner strength and to help make positive changes. And that seems to be missing today. Here it is, 2007, and there are still so many problems and social injustices in the world. Well, I tell you we need a change now more than ever, and I’m turning to the church again for strength.
With this record, I hope to get across the same feeling, the same spirit and the same message as we did with the Staple Singers and to hopefully continue to make positive changes. We’ve got to keep pushing to make the world a better place. Things are better but we’re not where we need to be and we’ll never turn back. 99 and 1/2 just won’t do! - Mavis
Honeybee table at the butterfly feast is the first album from the elusive Baltimore's band Teen Suicide in years. For over a decade, guitarist, vocalist and project runner Sam Ray has been sometimes quietly and sometimes very noisily setting standards in the indie scene by changing genres, live lineups and even band names, but the one constant has been an undeniable gift for songwriting. honeybee table sits at an interesting point in the teen suicide timeline, following years of relative quiet following the releases a whole fucking lifetime of this (2018) and fucking bliss (2019), both released under the short-lived alias American Pleasure Club. Lockdown times saw a viral moment for the song "haunt me (x3)", a cult-classic catalog track featured on the 2015 Run For Cover reissue of the band's two beloved EPs dc snuff film and waste yrself. Now the band returns with what could be their next classic record, 16 songs that oscillate between noisy garage-rock, intimate acoustic songs and even blistering powerviolence in the vein of 2016's ambitious double album it's the big joyous celebration, let's stir the honeypot. The album is as varied and captivating as the cover art of the record - a painting by Ray's mother - and is held together by his unique artistic vision, captured not only in the genius of his songwriting but the power of lyrics that turn his lived experience of the past few years into harrowing poetry.
Marked by resilience, maturity, and the optimistic joy of a creative resurgence, Pat Green's Miles and Miles of You is the work of an icon reclaiming ground only he himself could have ceded. Ten fresh tracks feel like the spiritual exhale of a celebrated troubadour, taking fans on a journey to the other side of turmoil... and to a place where the old ways feel new again. Credited as one of Texas country's modern-era founding fathers, Green has traveled many roads in the 25 years since his debut album, Dancehall Dreamer. A Grammy nominated singer-songwriter with a restless creative spirit, his career has gone beyond the bounds of a "country star" to include the work of a painter, sculptor, philanthropist, family man and more. But one constant has remained - his vision. Green's 14th album overall, Miles and Miles of You is also his first in nearly seven years - since his inspiration-first writing style means he won't force a song into existence. But that philosophy also makes it possible for a whole album to arrive in a dam-burst of expression, and Green now calls Miles and Miles of You an "effortless" project. "It was just so smooth and natural," he says. "I write the song when it comes, and it was like 'Man, we're on a roll.'" Recorded outside Austin with producer Dwight Baker (Bob Schneider, Josh Abbott Band), more of that story is revealed with each track, as Green and his band mirrored the loose vibe of the songwriting with country balladry, dancehall energy, soul-baring reflection and at times, a swampy blues strut. "The older you get, you just have more to think about," he says. "So that's what this record is - a guy with more to think about, coming through a hard time and into something as fun and beautiful as creation. I'm just gonna take the ball and run with it."
“Making this album was one of the most painful processes I’ve ever been through, but it was also the brightest and the best,” Andress says. “The first album was me trying to discover who I was as an artist, but the last two years forced me to really sink into what my reality was and what I was feeling. It led me to what this album is, which is me realizing I wasn’t happy and that I needed to fix it.” Andress continues, “This album not only helped me grow as a person, but also as a producer. I realized how scared a lot of people are to push boundaries and how I am not, that’s my bread and butter,” she says. “Isn’t that the goal, to discover new things? What are we doing here if we’re not trying to make new art?” Andress has given fans another glimpse into the upcoming album with her new song “Pain,” which is out today. Andress speaks to a past version of herself in the song, reminding her that pain is a necessary and inevitable part of growing and ultimately highlights the parts of our lives where change is needed most. The accompanying music video follows Andress through a stormy period of self-reflection, where she eventually discovers a budding flower, showing that with pain comes new beginnings. “Sometimes you find yourself in situations where you know it’s going to hurt terribly, but you have to go through with it,” Andress says. “This song is a reminder that it's ok to feel sad and unhappy, but it won't always be that way. In a way, ‘Pain’ is the crux of the album, transitioning from the dark to the light. Writing this song was really a cathartic experience, and it made me feel understood, like I was listening to myself.” Good Person will also feature the recently released song “Seeing Someone Else” and titular track “Good Person,” which Andress performed on The Tonight Show Starring Jimmy Fallon and was hailed by Rolling Stone as “a gripping examination of the way we perceive others and compare ourselves without ever knowing the full story.” This album sees Ingrid entering the next chapter of her career following her record-breaking debut, Lady Like, named “one of the year’s strongest albums” by Associated Press and one of Billboard’s Top 10 Best Country Albums of 2020. The celebrated LP scored Andress 3 GRAMMY nominations including Best New Artist, Best Country Album, Best Country Song for the multi-platinum No. 1 radio single “More Hearts Than Mine.” Andress is also a 4x ACM Award, 3x CMA Award and 2x CMT Music Award nominee. On the charts, Andress is currently in the Top 25 at country radio with her single “Wishful Drinking” featuring Sam Hunt. Praised by V Magazine as “a moving country-pop ballad that perfectly combines Andress’ soft pitch and Hunt’s husky vocals,” the fan-favorite track has proved to be a streaming success garnering over 130 million global streams, debuting at #8 on Spotify’s all-genre Top 10 USA Song Debuts Chart and remaining within the Top 20 on their Hot Country chart since its release. With nearly a billion global streams, Andress will join Keith Urban for his 52-date North American “The Speed of Now World Tour,” which kicks off this Friday, June 17th in Tampa, FL.
Megadeth's new album features 12 new songs from the titans of thrash metal! Produced by Dave Mustaine and Chris Rakestraw, the follow-up to the Grammyr award-winning Dystopia album will melt fans ' minds with songs like "We'll Be Back," the new radio hit "Soldier On!" and "Night Stalkers" featuring Ice-T. Indie Exclusive Deluxe 2 LP on 180-gram vinyl includes a 7" single of "We'll Be Back," b/w an unreleased 2021 live version of "The Conjuring," with lenticular litho. Limited Edition. Deluxe 2 LP/7" Single
YUNGBLUD is the self-titled third album by 24-year-old singer/songwriter and multi-instrumentalist YUNGBLUD (Dominic Harrison). Following the success of 2018’s 21st Century Liability and 2020’s weird!, his third record is simply titled YUNGBLUD: it’s a reclamation of his own narrative and the consolidation of his artistic identity. YUNGBLUD is out September 2, 2022. Indie Exclusive Pink LP.
Capitol Records Nashville presents multiplatinum hitmaker Jon Pardi's fourth studio album, Mr. Saturday Night. The 14-tracks include the singles, "Last Lonely Night," and "Fill `Er Up." Jon says about the album, "A lot of time was spent living with the songs on this record. There is more life experience on Mr. Saturday Night than any album I've released before." It was produced by Jon with Bart Butler and Ryan Gore, the same team behind his award-winning 2019 album, Heartache Medication.
Galerie's forward-facing approach may call to mind a timeless phrase familiar to any jazzhead: The Shape of Jazz to Come. Ornette Coleman's 1959 opus re-configured traditional notions of harmonic structure, it's title and content serving as both a blueprint and open question for progressive music's future. With Dupuis' reverent but revolutionary project, that answer is no longer in the past or on the horizon; it's here.
“Back to Westbeach with Donnel Cameron. I don’t remember that much about this album. Erik had just quit heroin and he was still sick. Two days after we finished, Erik checked himself into a rehab and stayed there for two months. That was 7 years ago and he has been totally sober ever since. Cool. He won’t even eat chicken if it has wine sauce on it. He made it clear that NOFX was more important to him than drugs. Anyway, I don’t remember how long this album took, but I do remember it took me a fuck of a long time to sing. Standard.” - NOFX
Not Just A Girl (The Highlights) features 18 tracks, spanning Shania Twain's illustrious career. Achieving five GRAMMY Awards and three RIAA diamond-certified albums, she has sold over 100 million albums and is one of the best-selling artists of all time. This collection serves as the soundtrack to her 'Not Just A Girl' documentary which includes Shania's biggest hits and fan favorites, "You're Still the One," "That Don't Impress Me Much," "Man! I Feel Like a Woman!" and more, plus one new song.
If you look hard enough, you might just find yourself. However, the search may never be a matter of miles or a series of drastic shifts. Instead, it often happens when you sit still long enough to let yourself be found. UK-born and Los Angeles-based singer, songwriter, producer, and self-professed "chronic overthinker" Luke Sital-Singh has engaged this conversation throughout his prolific career, generating millions of streams in the process. Beyond praise from Guitar, Thank Folk For That, and more, Atwood Magazine raved, "Luke Sital-Singh immerses listeners in an intimate array of emotion set against a refreshing expanse of heartland folk and soft rock," he toured with Angus and Julia Stone, Martha Wainwright, and The Staves and even led his own TED Talk at the official TED Conference in Vancouver. "I'm moved by sad music," he leaves off. "It makes something beautiful out of something painful. It allows listeners to realize they're not alone. I'm at a confusing age where I don't know if I'm doing the right things in my life. I just know I'm Luke, and I made an album."
Mo Troper is truly one of a kind, and that’s never been more apparent than on his fifth full-length, the winkingly titled MTV. Arriving hot on the heels of his 2021 full-length, Dilettante, the album finds the Portland, OR-based power pop extraor-dinaire diving further into home-recorded immediacy to make a record that feels like a strikingly direct conduit to the world of Mo–where heartbreak, hilarity, and hooks all go hand-in-hand.
MTV hurtles through 15 songs in just 31 minutes, with most of the tracks never even coming close to the three-minute mark. The sequence feels like a combination of a fever dream and a travel diary, intertwining tales of romantic long-ing with the ups and downs of cross-country touring. Songs like “Across The USA,” “Royal Jelly,” or “Coke Zero” unravel the headaches and heartbreaks, often alternating between unflinching emotional details and legitimately funny one-lin-ers. “I feel like I’m just in this mode of rebelling against the expectation for artists to be emotionally or aesthetically cohe-sive,” Troper says. “I think about all my favorite records and songwriters, and they’re often these people who would have really depressing stuff and then insane moments of levity that don’t get talked about as much. I want to make music that’s emotional but also campy or sarcastic or resonates in other ways. I’m like, ‘you know what, it’s all me."
"Heartless Bastards’ career-defining album Arrow turned 10 this year, and Partisan is celebrating by re-releasing the LP on black and gold galaxy vinyl. This special edition release will be limited to 2000 copies that have been numbered in gold foil.
Produced by Jim Eno from Spoon, Arrow features Erika Wennerstrom on guitar and vocals, Dave Colvin on drums, Jesse Ebaugh on bass, and Mark Nathan on guitar. This album showcases a band at the height of their powers. They are synthesizing the best of bar rock, Alt-country, classic rock, and the blues into something vital, unfiltered and all their own. The seamless sound achieved on Arrow was the result of 2 years of nearly non-stop touring; on the road the band developed an astonishing musical telepathy, with all four players intuitively able to craft Wennerstrom’s songs into maximum form."
Released in June 1984, Breaking Hearts consolidated the success of the previous year’s 2 Low 4 Zero, which had elevated Elton to the upper echelons of the world’s charts. Replicating the formula of the previous album, it was recorded at AIR Montserrat, with his core players Davey Johnstone, Dee Murray and Nigel Olsson. It contains the much-loved single Sad Songs (Say So Much), Passengers and Who Wears These Shoes.
A Single Man was one of the most eagerly anticipated albums of Elton John’s career. Released two years since his last album, Blue Moves, the Elton John that greeted the world in 1978 cut a sombre, serious figure; working for the first time since 1970 without producer Gus Dudgeon and for the first time since 1967 with Bernie Taupin (the only original album in his career completely with him), A SingleMan yielded two of Elton’s best loved hits, Part-Time Love and the poignant, almost-instrumental closer, Song For Guy.
Buoyed up by the surprise success of Tiny Dancer as a result its appearance in Almost Famous, Elton John enjoyed artistic reinvigoration in the early 21st century by returning to the sound and feel of his early solo albums. Released in September 2006, The Captain and The Kid followed the much-loved Songs From The West Coast and Peachtree Road; his 28th solo album was a direct sequel to the 1975 album Captain Fantastic And The Brown Dirt Cowboy.
Recorded in Atlanta, it picked up where it’s the original left off, and chronicled the lives of Elton and Bernie Taupin across the intervening years. Like its 1975 predecessor, the package contains two booklets – Lyrics and Scraps
Released in November 1995, Love Songs was Elton John’s second CD retrospective of the 90s and built on the enormous success of The Very Best Of, and his first solo UK No 1, Sacrifice in 1990. Collecting 18 of Elton’s best loved ballads, Love Songs reached No 4 in the UK charts and remained in the listings for 48 weeks.
The vinyl version of the release was extremely limited, as a result, copies change hands for three-figure sums. This 2022 edition is presented as an audiophile 180gm double set.
Winnipeg band Living Hour will release their third LP Someday is Today on September 2, the follow up to 2019’s acclaimed Softer Faces. Composed of 11 songs, Someday is Today is the band at their most pensive and longing, with their vulnerable lyrics brought beautifully to life by the lush and generous instrumentation that winds its way through the album. A striking evolution of their sound, illuminated by help of friends, including Jay Som’s Melina Duterte who joins the band on lead single "Feelings Meeting" & mixes half the album.
Recorded over a week in their hometown, the project wrapped up months of electronic and disjointed correspondence necessitated by mandatory lockdownsand punctuated by the harsh Winnipeg climate. Though the process was highly fractured, it breeded creativity and shockingly resulted in a new warmth, which mixes the sometimes-drifting Yo La Tengo-esque patterns of melancholy and the gleaming, earnest splendor of Beach House. The whole thing feels like a cohesive world of soft and gorgeous harmonies, filled with an energy that flourished in spite of everything happening around them.
There is a moment on Sides, the new album from Richmond, Virginia-based duo Lean Year, in which a hospital room floor is filled with white chrysanthemums. This imagery, based on an opiate-induced hallucination experienced by vocalist Emilie Rex’s mother as she recovered from surgery, is a perfect encapsulation of the band’s second album: dreamlike and beautiful, yet burdened with cold, stark reality.Sides is a harrowing journey through realms of grief and memory, a meditation woven into a tapestry of synth pads, woodwinds, and Rex’s instantly recognizable voice.
The duo of Rex and Rick Alverson—who also works as a film director (The Mountain, Entertainment, The Comedy)—originally set out to write an album about conflict, but during the writing and recording process, they were confronted with a number of personal tragedies. Alverson lost both of his parents in rapid succession, Rex’s mother received a cancer diagnosis, and the couple’s beloved family dog, Orca, died. These events transformed the album into an exploration of loss—an attempt at processing the painful, complex, and private emotions that bubble to the surface when confronted with death. “We thought we’d do a concept album called Sides where we could reflect on all of the division in the world, and some in our own families, but then COVID transformed everything/everyone, and we suffered our own specific losses. The record became about loss and grief,” Rex explains. “In this way, the title Sides was still appropriate: our individual grief and collective grief, the margins of before and after, the act and feeling of during and enduring. It felt like straddling a threshold between two opposing sides—the moment before conflict and the moment after it passes, life and death, the act of living and the memory of the act. Grief feels like a contention between what you knew and what you now know, and often both feel real and unreal at once.
”Sides—produced by Alverson alongside Erik Hall (In Tall Buildings) and featuring contri-butions from Elliot Bergman (Nomo, Wild Belle) and Joseph Shabason (Destroyer, The War on Drugs)—has a distinctly cinematic quality, perhaps due in part to Alverson’s other career. Moments of jazz, slowcore, and dirgelike R&B find their way into the sorrowful, ambient suite, lulling the listener into a state of calm while the lyrics speak of ghosts, childhood, and mortality. Despite the gravity of the subject matter, Sides succeeds in mastering a balancing act between pathos and pop. Each song is indelible and haunt-ing, with melodies that have the kind of broad appeal reminiscent of Karen Dalton, Aldous Harding, and FKA twigs.
The sonic tapestry of every RÜFÜS DU SOL record is an exercise in world-building & fantasy; following up 2018’s Grammy-nominated SOLACE is no different. Surrender represents a new chapter in the world the band has been shaping and nurturing since their inception. Built on their own terms as they travel down their own distinct sonic lane, they expertly bridge the gap between their electronic roots and prowess as live musicians. The record demonstrates a bolder and braver sound than they’ve created in the past.
Golden Years is the latest record from Whigs frontman, Parker Gispert. Golden Years is the follow up release to 2018’s critically acclaimed, Sunlight Tonight. Much like Sunlight Tonight, Golden Years finds Gispert embracing introspective, personal lyrics that also delve into the current social divide while at the same time writing lyrics meant to encourage the listener to get up, have fun and enjoy rock and roll. Musically, the nine-song effort finds Gispert embracing his roots with the familiar sound of the raw and jangly southern-garage rave-ups that his band, The Whigs came to be known for. Golden Years was recorded at Haptown Studios in Nashville, TN with producer Roger Moutenot (Lambchop, Yo La Tengo, Tennis) at the helm.
Thou have a bit of a reputation for doing Nirvana covers, even releasing of a full album of them titled Blessings of the Highest Order during the height of quarantine. The infamously ravenous Thou fans were stuck in their rooms, drinking every drop and begging for more and just their luck the band decided to release a full-length compilation of their non-Nirvana covers they recorded and released from 2009-2022. All of the songs on A Primer of Holy Words appeared on limited pressings of various split EPs and benefit compilations. The range of bands being covered is wide: Pearl Jam and Alice in Chains from abandoned tribute projects; Born Against from a small press European compilation; Ginger Quail, an obscure New Orleans punk band from the late 90s; and so on. Regardless of their standing in the civilian world, all of these bands and songs have had a strong imprint on Thou- much more so than "sludge" or metal in general or "the swamp" of New Orleans. New Noise Magazine described some of the tracks saying "They've got a Black Sabbath 'Sweet Leaf' cover that they've dirtied up to the point where it sounds like a High on Fire original, a blackend-sludge version of Born Against's 'Well Fed Fuck,' a bewitched version of Pearl Jam's 'Spin the Black Circle,' and an appropriately gross and desperate cover of Shellac's 'Prayer to God.' It's as good or better than their Nirvana album imho." And while the mentioned tracks will be on the vinyl version sans "Sweet Leaf" it will have a different track list from 2020's digital release including a cover of the Yeah Yeah Yeah's iconic track "Maps". This collection includes artwork from former New Orleans -now Mexico Cityartist Rachel Speck from her Tropical Goth imprint
Vinyl LP pressing. Includes digital download. 2022 release. Stellar Drifting is 10 tracks of widescreen, futuristic electronic music. With features from the likes of SOAK, London Grammar and Domino's own Panda Bear, Stellar Drifting is George's most ambitious project to date. George keeps his roots deep within the electronic music scene, bringing in pop melodies, club rhythms and other UK dance music elements whilst pushing the boundaries of his sound.
Double clear, black, and red marbled vinyl LP pressing. 2022 release. Seven years after Beyond The Red Mirror and almost three after the orchestral opus Blind Guardian Twilight Orchestra: Legacy of the Dark Lands, Blind Guardian invites you to their personal twilight of the gods. "After Beyond The Red Mirror and Legacy Of The Dark Lands, we knew we couldn't push the orchestral side of Blind Guardian any further," vocalist Hansi Kürsch says. The new directive while creating The God Machine was fairly straight-forward but ever so welcome: "Less orchestration, more punch." In 2022, the opulent arrangements and powerful choirs still exist; yet they are used in a much more selective, focused and resonant manner. The God Machine marks another pinnacle in Blind Guardian's impressive discography by not attempting to pretend it is still the nineties yet instead successfully relying on the muscle memory of this period. It is a gripping, addictive and brilliantly arranged album in the tradition of records with which Blind Guardian reached for the stars in the 90's; yet, by no means, is it a throwback. The God Machine represents the heart and soul of Blind Guardian's timeless metal in the here and now, unifying the bards' past, present and future secrets in one consistent, well thought out masterpiece.
For young Sheldon Cooper, being a once-in-a-generation mind capable of advanced mathematics and science isn't always helpful in East Texas. And while the vulnerable, gifted and somewhat naive Sheldon deals with the world, his very normal family must find a way to deal with him. His father struggles as a high school football coach and father to a boy he doesn't understand. Sheldon's mother fiercely protects her son who just doesn't fit in. Sheldon's older brother does the best he can in high school, but his younger brother is already in college. Sheldon's twin sister remains the one person who can reliably tell Sheldon the truth. And his beloved Meemaw, his Texas grandmother who supports him and his gifts. For over a decade, Big Bang Theory audiences came to know the iconic, eccentric and extraordinary Sheldon Cooper. Now they join him as he embarks on his innocent, awkward journey toward the man he will become.
In the kitchen of the Byron Bay home of Winston McCall stands a refrigerator, adorned on one side by a quote from Tom Waits: “I want beautiful melodies telling me terrible things.”
This, the PARKWAY DRIVE vocalist says, is a pretty good summation of him-self. It holds true, too, as one of the guiding principles behind Darker Still, the seventh full-length album to be born of this picturesque and serene corner of north-eastern NSW, Australia, and the defining musical statement to date from one of modern metal’s most revered bands.
Darker Still, McCall says, is the vision he and his bandmates – guitarists Jeff Ling and Luke Kilpatrick, bassist Jia O’Connor and drummer Ben Gordon – have held in their mind’s eye since a misfit group of friends first convened in their parents’ basements and backyards in 2003. The journey to reach this moment has seen Parkway evolve from metal underdogs to festival-headlining behemoth, off the back of close to 20 gruelling years, six critically and commercially acclaimed studio albums (all of which achieving Gold status in their home nation), three documentaries, one live album, and many, many thousands of shows.
While Darker Still remains irrefutably PARKWAY DRIVE, it finds the band sonically standing shoulder to shoulder with rock and metal’s greats – Metallica, Pantera, Machine Head, Guns N’ Roses – as much as it does their metalcore contemporaries. “I wanted a classic guitar tone for this record,” explains Ling, who credits much of his inspiration to the connection his riffs have with a crowd in a live setting.
Emerging from the darkness of the past few years, this is the true face of PARKWAY DRIVE: redefined and resolute, focused in mind and defiant in spirit.
Since the band's inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of musicians making music and playing live together. "I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas, " says Martsch. "And it's nice to be in a band with people who aren't sick of me yet." Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of it's own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. "I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed." (The rumors are true, we love quinquagenarians...). When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.
Charley Crockett will release his latest album The Man From Waco on September 9th via Son of Davy/Thirty Tigers. Crockett wrote or co-wrote all 14 songs on the album, and in many ways The Man From Waco is the purest distillation of his artistry to date. What started as a demo session with producer Bruce Robison at Robison’s studio The Bunker outside Austin, TX turned into the first album Crockett has ever made with his band The Blue Drifters backing him from start to finish. Mostly first takes with only a handful of overdubs, The Man From Waco finds Crockett refining his singular “Gulf & Western” sound which continues to captivate an ever-growing legion of fans.
“I just wanted an honest partnership: do it at your place, live to tape, everybody in the room,” Crockett says of the recording experience, and Robison was happy to accommodate. “The magic is in the performances on that tape. That’s what Bruce wanted to do, that’s what I wanted to do. When we were done, I said ‘these are masters, not demos.’”
There’s a loose narrative thread that ties the album together, but at the center of The Man From Waco is Crockett, who continues to trust his instincts and carve out his own singular space. Eschewing the ever-growing siren song of major labels and GRAMMY-winning producers, Crockett is forging ahead as a mostly DIY artist, calling his own shots and giving himself the space to strive for greatness on his own terms.
“Everybody was telling me: ‘go right, go right, go right,’” says Crockett. “I went left. I had to hold on to what has gotten me this far.”
The Man From Waco will be in a record store near you on September 9th on CD, Vinyl, and an indie record store exclusive edition featuring alternate album artwork.
Over the course of the last two decades, Of Montreal's creative force, Kevin Barnes, has been wowing fans with their vast catalog of endlessly fascinating pop and mesmerizing live shows. Barnes' songwriting and production aesthetic has since become iconic in the industry and has garnered massive critical acclaim in publications such as Rolling Stone, The New York Times, NPR, and Pitchfork, who described the band's album, Hissing Fauna, Are You The Destroyer? as "ceaselessly fascinating and inexhaustibly replayable," as well as ranking it as the #5 album of the year. Barnes' influence on pop music is undeniable, with multiple late night TV appearances, including The Late Show With David Letterman and Late Night with Jimmy Fallon, as well as brilliant collaborations with the likes of Solange, Janelle Monáe, Jon Brion, and others. The band has also performed across the globe, with festival appearances at Coachella, Sasquatch!, Pitchfork Music Festival and others, as well as hundreds of millions of streams worldwide. On Of Montreal's latest album, Freewave Lucifer f ck f ck f ck, Barnes continues to push the boundaries of what pop music can be. On songs like "Marijuana's A Working Woman," Barnes revisits themes of psychedelia using pulsating synths over their instantly recognizable bass playing. The album also touches on aspects of gender fluidity and is a fascinating look at what makes Barnes one of the most prolific and creative songwriters making music today. "An astonishingly good late-period record from Of Montreal that's as uncomfortably savage in it's depiction of breakup psychology as it is relentlessly catchy." -Pitchfork (8.7 Best New Music - Hissing Fauna, Are You The Destroyer?)"The thesaurus-loving psychedelic chameleons return with what might be the glammiest groove since the late Marc Bolan shimmied on to the next dimension." -Rolling Stone on Aureate Gloom"[Lousy With Sylvianbriar] is one of the most memorable, lasting, and relatable albums in Of Montreal's extensive catalog, and easily one of the best." -AllMusic"... every year or so Of Montreal is going to release a new full-length of mind-bending glam-punk decadence that sort of blows everything else away." -Paste
Live recording from the soundboard during the Alive II tour at Veterans Memorial Auditorium in Des Moines, IA, on November 29, 1977. Features “Let Me Go, Rock ‘N’ Roll,” “Beth,” and more performed by Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss.
The Paranoyds are Southern California DIY rock royalty. Fueled by the fiery energy of their live shows paired with raw lyricism and subtle societal commentary, The Paranoyds are unafraid and unapologetically in perpetual pursuit of a good time. The four-piece is made up of Laila Hashemi (keyboardist-vocals), Lexi Funston (guitars/vocals), Staz Lindes (bass/vocals) and David Ruiz (drums, vocals) who together masterfully blend light-hearted playfulness with sharp sincerity over fuzzy guitar, dreamy vocals and punchy, punky rock-n-roll.
Talk, Talk, Talk, the sophomore album from The Paranoyds gives the band space to expand, evolve and above all, have fun. Over 11 tracks, the band experiments with sounds that span an eclectic array of genres–from jazz, to lo-fi punk-rock, to groovy R&B–that melt together showcasing the innovative range of The Paranoyds.
To coincide with the band celebrating their 50th anniversary this year, Roxy Music’s career-encompassing collection from 2001 is available for the first time on vinyl. Containing all of their classic singles including “More Than This,” “Jealous Guy,” “Love Is the Drug,” “Virginia Plain,” and classic album cuts, it’s a definitive testament to one of the most influential and daring artist catalogs of all time. This beautifully presented 2 LP set includes enhanced artwork and full song lyrics.
Patient Number 9 is Ozzy Osbourne’s13th solo studio album and a continuation from 2020’s top 5 release Ordinary Man, once again produced by Andrew Watt. This 13-track project running nearly over an hour long has the most legendary guests ever on an Ozzy Osbourne release. Three tracks alone – “Patient Number 9”, “Degradation Rules”, and “One Of Those Days” – feature Jeff Beck, Eric Clapton, and Tony Iommi (Black Sabbath) respectively, not to mention Josh Homme (Queens of The Stone Age), Mike McCready (Pearl Jam), Chad Smith (Red Hot Chili Peppers), Duff McKagan (Guns N’ Roses), Robert Trujillo (Metallica), Zakk Wylde (Ozzy’s longstanding guitarist from the late 80’s) as well as the late Taylor Hawkins.
Stars and Satellites is an album by Minnesota-based bluegrass group Trampled by Turtles, released April 10, 2012, on their label BanjoDad Records. According to Dave Simonett, the creation of their sixth studio album started in the fall of 2011. Their studio was a log home outside Duluth, where they moved furniture aside, set up microphones and started to develop the album. The album has been on Billboard's bluegrass charts since April 18, 2012. It was also No. 14 on the Billboard Folk Album Chart, and peaked at No. 32 on the Billboard Top 200 Chart.
The limited run 10th Anniversary Edition features Red Vinyl + bonus orange flexi disc with 2 tracks. “Alone feat. Caamp (Live at Red Rocks)” has never been released in physical form and “Stars and Satellites (demo)” has never been released in any format. The latter will be exclusive to this edition and not available digitally.
Grammy-nominated singer/songwriter Julian Lennon releases two powerful new original tracks, “Freedom” and “Every Little Moment.” “Freedom” is a soulful, ethereal track intensified by Lennon's distinctive vocals that provokes an emotional and meditative journey. “Every Little Moment,” is a driving rock track, that not only confronts the wars within, but the ongoing battles we face on the outside. Lennon will continue to release singles, leading into a much anticipated studio album with BMG.
Fun Machine: The Sequel is Lake Street Dive’s second set of distinctive cover songs. While 2012’s Fun Machine paid homage to their classic R&B, soul, and jazz roots, Fun Machine: The Sequel expands the aperture a wider, featuring selections ranging from R&B and pop favorites like Dionne Warwick’s “Anyone Who Had A Heart,” and The Pointer Sisters’ funky “Automatic,” to works by introspective singer-songwriters such as The Cranberries’ gorgeous “Linger,” Carole King’s classic “So Far Away,” Bonnie Raitt’s era-defining “Nick Of Time,” and Shania Twain’s pop-country anthem, “You’re Still The One.”
Multiplatinum artist & EGOT winner John Legend announces his highly anticipated 8th studio album, Legend, out September 9 via Republic Records. The double album features Saweetie, Rick Ross, Muni Long, Jazmine Sullivan, Rapsody, Ledisi, Jhene Aiko, Ty Dolla $ign and more. Executive produced by Legend and Ryan Tedder, this vibrant project is suffused with an unapologetic spirit of sensuality and joy, informed by the vulnerability of pain, praise and healing.
Global entertainer Kane Brown’s highly-anticipated third studio album, Different Man, is set to be released September 9th. The album will feature a total of seventeen songs, including his current hit single “Like I Love Country Music,” his co-produced track, “Whiskey Sour,” his #1 hit, “One Mississippi,” “Leave You Alone,” and the new single, “Grand.” Additionally, the album will include twelve more yet to be revealed songs.
Stranger Things: Soundtrack from the Netflix Series, Season 4 will include key music covering various classic eras and styles as featured in "Stranger Things 4." The soundtrack album is conceptualized and produced by The Duffer Brothers and Nora Felder (Grammy and Emmy nominee Nora Felder has served as music supervisor for "Stranger Things" since the show's inception and was nominated for a Music Supervision Grammy the first year the category was recognized by the Academy of Television Arts & Sciences). The compilation album is produced by The Duffer Brothers and 2x Grammy nominee Timothy J. Smith.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
Delta Spirit has been making music for nearly 17 years and with five albums under their belt they are set to release their follow up record to 2020’s What Is There. One Is One was recorded in southern Vermont and mixed in Texas by Matt Pence (Jason Isbell, Nikki Lane, Paul Cauthen). The album has a distinctly anthemic quality with songs like “Villians” “One Is One” and “What’s Done is Done” inducing goosebumps upon the first listen. Other tracks like “Lottery”, “Ghost of Caddo” and “Thoughts on Seneca” are more quiet in sound and song structure but deliver heavy lyrical messages that capture the listeners attention. One Is One is made for the headphones and the live concert experience.
Born Aaron Livingston, GRAMMY Award winning Son Little unleashes his album Like Neptune never sounding stronger or more confident than now, showcasing his original vision of r&b, informed by his love for hip-hop imbued with tinges of funk, pop, and psychedelia. While Little’s collaborations with The Roots and RJD2 had already helped him make a name for himself by that point in his adopted hometown of Philadelphia, critics on both sides of the pond were quick to recognize the unique power of Little’s solo recordings, which stripped the past for parts that could be reconstituted into something wholly new and original. NPR hailed Little’s “impeccably crafted songs” as “honest and unpretentious,” while The Independent proclaimed him “a formidable talent,” and Vice declared that he was “dissolving the barrier between R&B and rock ‘n’ roll one tearjerker at a time.”
The original motion picture soundtrack to Where The Crawdads Sing features the music of Academy Award-winning composer Mychael Danna and includes the original song, “Carolina,” written and performed by Taylor Swift.
Imagine Dragons - "Night Visions: Expanded Edition" - In celebration of the Imagine Dragons landmark debut album's 10th anniversary, expanded editions of Night Visions will be released on September 9, 2022. The 2 LP set includes the original album, an additional 9 studio tracks and 2 unreleased demos.
"Welcome To My World" is a collection of some of Daniel's most-beloved songsand is now available on vinyl for the very first time. These are the songs that built the legend...a must-have for the legion of devoted Daniel Johnston Fans as well as the perfect introduction for new listeners. The LP includes previously unheard sonic surprises.
On their second full length album on Fearless Records, Eat Your Heart Out embraces change. The Newcastle, Australia quintet channel emo spirit through precise instrumentation with just the right amount of pop appeal.
Long Island hardcore band Stray From The path have announce their new album "Euthanasia". It will be released via UNFD on 9/9.
“Stray has always used our songs as an outlet to speak against oppression", say the members of SFTP. "It's been close to 10 years, and now our third instalment of the Badge And A Bullet series entitled III has the same target. Policing in the United States has always been rooted in racism, hate and violence. Public funding for police departments has skyrocketed since the 1980s. The U.S. now spends more than twice as much on police as it does social welfare programs. Many major cities spend over a third of their budgets on police. Despite the hundreds of billions of federal, state and local money poured into police departments and the corrections industry every year, there is little oversight. The outcomes have been fucking horse shit.
The Deer have built a devoted audience for their uninhibited, cosmic indie folk the old-fashioned way: playing their hearts out, night after night. In addition to extensive headlining, they’ve shared stages with the likes of Big Thief and The Head and The Heart. Their label debut Do No Harm, released in 2019, marked a set of career breakthroughs, topping the KUTX chart and earning a nomination for the Austin Music Awards’ Album of the Year. When live music took global pause, The Deer had momentum to sort.
The five musicians took the energy reserved for tour and brought it into the studio, a pressure cooker not only for creativity but newly, for existential reflection. The result is two full albums, the first of which, The Beautiful Undead, will be released September 9, 2022, on tastemaking indie Keeled Scales. It’s an uninhibited collection of cosmic indie-folk reflecting upon what it means to lose your sense of purpose. The Deer, amidst turbulent assessment, transformed a paralyzing void into an empowering surrender of ego—a rollicking submission to the immense unpredictability of existing. It's a free-spirited album fueled by hard-earned revelation.
The rich are getting richer, the poor are getting poorer, the planet is getting warmer, and human extinction looms likely. The Deer handle their devastated call for change with an artful subtlety, an infectious sense of play, and a projection of internal learning onto the external world. Their genius is in creating palpable, emotional urgency not with boisterousness, but fact. Throughout The Beautiful Undead, The Deer radiate an intensity fit for the times, but not at the cost of dancing.
My Boy, the third solo record from New Zealand singer/songwriter Marlon Williams, announces an artist emerging anew. Gone is the solemn, country-indebted crooner with the velvet voice – in his place comes a playful, shapeshifting creature.
Following the release of his second album, 2018’s Make Way For Love, Williams’ toured the world, playing major festivals and collaborating with Lorde, Yo-Yo Ma and Florence Welch. He also forged a fledgling acting career with roles in films The True History of the Kelly Gang and Netflix series Sweet Tooth, as well as a cameo in Oscar winning film A Star Is Born. My Boy parlays this flush of worldly experience into a vivid record as spirited and kinetic as the unfolding life of its performer. “I’ve always explored different character elements in my music,” says Williams. “And the more I get into acting, the more tricks I’m learning about representation and presentation. To get braver and bolder with exploring shifting contexts and new ways of doing things.”
As the pandemic paused global travel, Williams found himself at home in New Zealand, reconnecting with family and friends. Soon new demos and lyrical themes emerged: of self-identity and escapism; tribalism and a gnarled family tree; and ruminations on the role of masculinity and mateship.
Co-produced with Tom Healy and recorded at Roundhead Studios in New Zealand, My Boy finds Williams’ leading a new band through a set of genre-hopping tunes: from the cheery sway of ‘My Boy’ and chugging ‘80s noir sheen of ‘Thinking Of Nina’, to the charging synth of ‘River Rival’, and the sultry pop jam ‘Don’t Go Back.’ All this sonic and emotional whiplash is intentional, and ultimately My Boy sees Williams having fun, even while interrogating the behaviors of himself and those around him.
BRELAND will release his highly-anticipated debut album Cross Country on September 9th. Named for the boundary-pushing, genre-bending style that defines all his output, Cross Country firmly establishes BRELAND as a vital new force shaping the future of country music.
Expanding on the songwriting chops and star-making appeal first revealed on his breakthrough certified Platinum hit single “My Truck” — as well as its remix with Sam Hunt — Cross Country takes its title from an autobiographical, acoustic-guitar-fueled track showcasing BRELAND’s intricately detailed storytelling and warm yet commanding voice. Along with the title track “Cross Country (feat. Mickey Guyton),” BRELAND’s debut album also offers up previously released singles like “Throw It Back (feat. Keith Urban)” and “Praise The Lord (feat. Thomas Rhett).”
Roadrunner Records / FRKST band Highly Suspect have announced details of their anxiously awaited fourth full-length album, The Midnight Demon Club, which will arrive on September 9th. The three-time GRAMMY® Award-nominated band have also shared two new tracks: “Natural Born Killer” and “Pink Lullabye”
Regarding the LP, lead vocalist and guitarist Johnny Stevens a.k.a. “Terrible Johnny” shared, “Life comes at you fast. We are constantly reminded of this, and perhaps no greater occurrence will spark the imagination more than the death of a loved one. In my experience, it’s during these moments of processing great loss that the mind is completely focused on ‘what if’s’ as we try and escape what is. The Midnight Demon Club is about becoming the best version of yourself after tragedy, so it’s a second chance on life with a happier mindset. The Midnight Demon Club is all about having fun and keeping it moving. Because as we all know, this life is way too short.”
Stevens also remarked on lead single “Natural Born Killer” explaining, “I’m always fighting for my place out here in this world. And there are two mindsets one could have - rollover and mope about the hard shit or just be a motherfucking life beast and smash all your challenges at hand. And if you’re really a badass, have fun doing it. That’s the flow. That’s the essence of being a natural born killer.”
The Midnight Demon Club finds Highly Suspect at a turning point. Produced by Highly Suspect and WZRD BLD, the 12-track offering teems with truth barely contained in fits of metallic exorcism and hip-hop-induced beat-craft. Stoned musings about a world on the brink of destruction ride over gorgeously uneasy orchestration and vocal transmissions that drip with sadness, longing, rage, and confidence all at once.
Second album from the collaboration of two popular metal vocalists, Anette Olzon (The Dark Element, ex-Nightwish) & Russell Allen (Symphony X, Adrenaline Mob) . Album written & produced by guitarist Magnus Karlsson (Primal Fear, The Ferrymen).
The members of the legendary original 1990s Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years for 2020’s RoundAgain; they return now with LongGone, featuring six original songs by Redman, due September 9, 2022 on Nonesuch Records.
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
• Natural Brown Prom Queen is Sudan Archives’ second album following her widely celebrated 2019 debut Athena. • Over its 18 epic and ambitious tracks, Natural Brown Prom Queen shows a new side to Sudan Archives: Brittney Parks or Britt, the girl-next-door. • On this album, Sudan explores themes of race, womanhood and family. • Natural Brown Prom Queen features the singles “Home Maker” and “Selfish Soul”, released in Spring 2022 to great acclaim
Chicago-born composer, producer and arranger Charles Stepney is known to some for his work with Earth, Wind & Fire, Deniece Williams, Ramsey Lewis, Rotary Connection, Minnie Riperton, Muddy Waters, Howlin Wolf, Terry Callier, and many more. In the decades since his untimely death in 1976, the presence of his name in liner notes has become a seal of quality for record collectors, while his sound has been sampled extensively by artists such as Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. Step on Step – which comes almost 50 years after Stepney’s passing – is the enigmatic producer's eponymous debut album. It's an album full of creative compositional seedlings – originally written, performed, and recorded by Stepney in the basement of his home in Chicago, between the late 1960s and early 1970s, using just primitive drum machines, early-gen Moog synthesizers, pianos, vibraphones, and a few other instrumental accessories.
Every feedback squeal, bass chug, and hi-hat sizzle of what would be Unwound's final 37 shows was taped, the most compelling bits of which have been edited into a cohesive snapshot of a band at the end of an incredible run.
MAGIC MAN follows Jackson’s journey as he finds himself in an alternate reality, operating under the laws of mystery, temptation, and confusion. “Magic Man” – the alter ego of Jackson – is transported to various realities, each bound by its own set of rules. This is Jackson at his most vulnerable - exploring what it means to be human and stripped away of any armor. Jackson truly experimented with this record, inspired by 70s rock. It’s edgy and dark, it’s not perfect, it’s real. This album is an energetic and gritty exploration of toxic love and self-discovery. Jackson is going back and forth trying to attain the approval of his love/music and in turn we see him struggle with himself trying to break free from the cycle and walk away.
BDP's first album--and the only one to include the late DJ Scott La Rock--sounded harder than hell when it came out in 1987. Though the simple beat-box patterns on a few tracks sound dated, most of La Rock's tracks are bluntly effective, especially the AC/DC riff he appropriates on "Dope Beat." And KRS-One still performs most of his Criminal Minded rhymes, because his audience knows them word for word: the ultraviolent dancehall of "9mm Goes Bang," the battle cry of "South Bronx" (and its counterpart, the anti-Juice Crew screed of "The Bridge Is Over," with its little Billy Joel homage), the catalog of La Rock's condom collection on "Super-Hoe." KRS bloomed later; here, he just rocked.
Last year Sacred Bones released the groundbreaking album Sounds of the Unborn, created by Psychic Ills bassist Elizabeth Hart and Lee Scratch Perry collaborator Iván Diaz Mathé by connecting biosonic MIDI technology to Elizabeth’s then pregnant body. The soundscapes that emerged from this recording technique tell the story of an unexplored territory, a land of unveiled harmonies. The album received widespread attention and was featured in NPR, the Guardian and Audiofemme among others. Conversations is an album featuring remixes participants including electronic music pioneer Suzanne Ciani, new age legend Laraaji, fan favorites Peaking Lights, landscape innovator Hiro Kone and up and coming harpist Nailah Hunter, among others.
On Halloween night, this pumpkin-shaped orange LP will rise from sincere vinyl collections the world over and bring audible presents to all the good girls and boys. Previously thought lost to time: this album contains the original analog session reels for It’s The Great Pumpkin, Charlie Brown. This 33 1/3 rpm version of the soundtrack are the cues as recorded by Vince and crew before edited for the television special, as well as a selection of alternate takes. Includes new expanded liner notes.
2022 release. Learning To Dissolve is the punctuation on a journey that began with 2017's Sounds of Loss. From the inception, Orthodox were nothing short of a standout, blending together riffs that wouldn't be out of place on a Slipknot record coupled with Easterling's blunt, Jonathan Davis-esque howls. But, like their sonic brethren in Knocked Loose or Vein. FM, while the influence of the 90's/00's is there, Orthodox doesn't merely pay homage to their influences, it exceeds them. 'From the beginning, we went in our own direction regardless of what anybody thought,' states Adam. 'We didn't grow up listening to hardcore. We grew up on bands like Linkin Park and System of a Down. ' With Learning to Dissolve, those influences have refined themselves into a sound that is urgent and unforgettable from the album's opening track, 'Feel It Linger' to the personal and aural meltdown of closer, 'Voice in The Choir'.
Reuben and the Dark’s 4th album, In Lieu of Light, is a collection of songs as bare and unguarded as any frontman
Reuben Bullock has offered before. Recalling the spontaneity of their 2013 arrival, Funeral Sky, the 11 songs here
are both humble and vast, flourishing from the simplicity of gentle piano and guitar – at times favoring the delicate
frame of its intimacy, at others conceding to the anthems in its melodies. It’s honest heart-based music, wide open
yet lonesome and inviting connection.
On their third LP the band pay homage to their hometown of Hull and its folk. North East Coastal Town is mature; it finds the band at the height of their powers as they carve-up a wide-screen, brooding body of work that is drenched in a sense of belonging and reflection but still impressively maintains their trademark swagger and ear for pop sensibilities and guitar hooks. "Hull and the surrounding area runs through our DNA and has shaped us, weathered us, empowered us, embraced us. When writing and recording this album it was important to us that this sense of belonging was also reflected in the album's craft and therefore we used local studios, equipment, gear, and the community around us to establish what it means to belong in a North East Coastal Town." They began rebuilding with 'Friends Without Names' - the first glimpse from the album - which was added to the A-List at BBC 6Music, and was recorded in the dead of night and hums with a dark, brooding and passionate atmosphere. "Friends Without Names is the anchor and blueprint for our next record. In a remote part of Eastern England, close to the river Humber, we performed this track as if we were in trance; vibrating in a constant musical crescendo. Our aim was to push ourselves and harness differing time zones whilst giving in to the moments of beauty, horror, love and chaos depicted by the song's lyrics." (Mez Green, vocals) "This band are flexing their creativity for sure, This is LIFE we are talking about, they'll always have something to say, something to stand for, a band to get lost in for sure" Jack Saunders, BBC RADIO 1
WARGASM (UK) began this project as a retaliation to the stagnant state of rock music around the world. The mixtape is called EXPLICIT because rock n' roll lost its way and abandoned its taboos. They're here to do horny rock music because no one else is. NME named them among "100 Acts to Watch" and Alt Press touted them as a “New Band To Watch.” These two mavericks take no prisoners and have heaps of fun on their 2022 mixtape EXPLICIT and forthcoming full-length debut. [slowplay/Republic Records]
Hideous Bastard, the debut album from Oliver Sim-best known for his work as songwriter, bassist, and vocalist of The xx-is set for release on September 9th via Young. Produced by bandmate Jamie xx, Hideous Bastard is the culmination of two years of writing and recording, inspired by Sim's love of horror movies and his own life experience, unpacking themes of shame, fear, and masculinity. These themes are front and centre on new single "Hideous". Enlisting the help of lifelong hero and "guardian angel"Jimmy Somerville on guest vocals, the single sets the scene for the forthcoming album and sees Sim speaking publicly for the first time that he's been living with HIV since the age of seventeen. It debuts with a video by another personal hero, French director Yann Gonzalez, who has also collaborated with Sim on a forthcoming queer horror short film of the same name that premiered yesterday as part of the Semaine de la Critiqueat the Cannes Film Festival.
When Georgia Ellery and Taylor Skye make music as Jockstrap, the process and result has one definition: pure modern pop alchemy. Meeting in 2016 when they shared the same composition class while studying at London’s Guildhall School of Music & Drama, Ellery and Skye founded Jockstrap as a creative outlet for their rapidly-developing tastes. While Ellery had moved from Cornwall to the English capital to study jazz violin, Skye arrived from Leicester to study music production. Both were delving deep into the varied worlds of mainstream pop, EDM and post-dubstep (made by the likes of James Blake and Skrillex), as well as classical composition, ‘50s jazz and ‘60s folk singer-songwriters. The influence of the club and a dancier focus, which was hinted at on previous releases, now scorches through their new material like wildfire. Take the thumping, distorted breakbeats of ‘50/50’ –inspired by the murky quality of YouTube mp3 rips –as well as the sparkling synth eruptions of ‘Concrete Over Water’, as early evidence of where Jockstrap are heading next. Jockstrap’s discography is restless and inventive, traversing everything from liberating dancefloor techno to off-kilter electro pop, trip-hop and confessional song writing; an omnivorous sonic palette that takes on a cohesive maturity far beyond their ages of only 24 years old. They have cemented themselves as one of the most vital young groups to emerge from London’s melting pot of musical cultures.
Across three full-length slabs of bludgeoning intensity and snarling rage, I Am put a Southern stamp and revitalized swagger into deathcore, a subgenre rarely as raw, energized, and diverse as this band. In the spirit of fellow Southern icons Pantera and newer Texan heroes Power Trip, I Am channel discontent and anger into empowering anthems, as likely to inspire a grueling workout as to incite the pit. Reminiscent of the combination of death metal heaviness and thrash metal speed found in the early catalog of Sepultura, I Am mine the heaviness of Morbid Angel and the dexterity of the Big 4 to create something groundbreaking of their own. Vocalist Andrew Hileman (who started the band in 2011), guitarists Tom Reyes and Chris Burgess, bassist Erik Rodriguez and drummer Ian Scott deliver their Texas Death in clubs, theaters, and festivals, with bands like The Acacia Strain and Kublai Khan. Eternal Steel, the quintet's debut for MNRK, combines the onslaught of the well-received Hard 2 Kill (2018) with the primal bite of Life Through Torment (2017) into a singular statement of intent. "We took what we did well on Hard 2 Kill to new extremes on Eternal Steel," notes Reyes. "It's faster than the last album, it's heavier than the last album, and it expands on every other aspect of our sound. 'Heavy' doesn't always have to mean 'slow.' Frequently for us, the faster parts are equally as heavy."
Kya Clark was forced to fend for herself after her family abandoned her in a North Carolina swamp as a child in the early 1950s. Now an adult, Kya (Daisy Edgar-Jones) will need every bit of the tenacity and self-reliance she's acquired when she becomes the chief suspect in the murder of an ex-lover who tried to rape her when she broke it off with him. Gripping adaptation of the bestseller by Delia Owens also stars Taylor John Smith, Harris Dickinson, and David Strathairn. 125 min. Widescreen; Soundtrack: English. Two-disc set.
Prosperous L.A. car dealer Daniel LaRusso (Ralph Macchio) still felt the sting of losing Mr. Miyagi, the mentor who schooled him in martial arts as a teen. Down-and-out janitor Johnny Lawrence (William Zabka) sought new purpose by reopening the controversial dojo where he trained in his youth. Odd fate would find their adolescent rivalry renewed in middle age, in this popular web series continuation of the "Karate Kid" saga; Courtney Henggeler, Tanner Buchanan, Xolo Maridueña, Mary Mouser also star.10 episodes. Widescreen; Soundtrack: English.
On September 16, Capitol Records will release Marcus Mumford’s debut solo album, (self-titled). Produced by Blake Mills (Alabama Shakes, Jim James), the album includes duets with Brandi Carlile, Phoebe Bridgers, Clairo, and Monica Martin. Indie Exclusive Red Transparent 180-gram LP.
Girl Of My Dreams is an up-close look at the moments of heartache, triumph and deeply transformative experiences on FLETCHER's way to self-discovery. The new record expands on the boldly detailed storytelling she’s brought to hits like “Undrunk” and “Bitter.” This time around, FLETCHER reveals her inner world more fully and fearlessly than ever before, embracing the kind of uninhibited honesty that’s freeing for both artist and audience.
Wide Eyed Nowhere is Turin Brakes’ ninth full studio album, a set of new songs emerging 21 years after their seminal debut. It's no easy feat maintaining an optimistic attitude through the turbulence of the years, but the band found their own method down in deepest Tooting to produce this lean, bittersweet collection.
The South London 4-Piece comprising Olly Knights, Gale Paridjanian, Rob Allum and Eddie Myer recorded this new set of songs at Twin Palms - Olly's garden studio - over the summer of 2021, choosing to let time infuse into the music and mature in a way it couldn’t in a pressurised commercial studio setting.
Turin Brakes released Mercury Prize shortlisted the Optimist in March 2001 (achieving gold status in the UK), followed up by 2003’s Ether Song which featured the top 5 hit single "Pain Killer (Summer Rain)". The band has since moved on to rack up seven top 40 singles, seven top 40 albums and over a million record sales worldwide.
Created during the pandemic lockdown,The Trouble with Fever, co-produced with her husband, Patrick Carney, is Branch's fourth solo album and follows her critically acclaimed 2017 album,Hopeless Romantic. The time at home gave Branch the opportunity to stretch herself creatively. She says: "The album began during the 2020 lockdown, while Patrick and I were here at home in Nashville. I didn’t realize I was making a record at first — it was more just for our own sanity, living in a house with a toddler, getting time together to play music and screw around in the studio. I had some unfinished songs that I’d started during the Hopeless Romantic recordings that I wanted to revisit and finish."
Little Big Town is set to release their brand-new studio album, Mr. Sun, on September 16, 2022. This is their 10th studio album and first new music in over 2 years. It features their latest single, “Hell Yeah.” Little Big Town first entered the music scene more than 20 years ago. The band’s breakthrough albums, Tornado and Pain Killer, produced multiple #1 singles, including “Pontoon,” “Tornado,” and “Day Drinking,” as well as 2015’s history-making, best-selling country single of the year, “Girl Crush.” Their 2017 release, The Breaker, debuted at #1 on the Billboard Country Albums chart and #4 on the Billboard 200 to critical acclaim. “Wine, Beer, Whiskey,” was the latest from their self-produced 9th studio album, Nightfall, which also reached the top of the Billboard Country Albums chart and has garnered over 316 million global streams.
Vinyl LP pressing. 2022 release. Spanish Villager No. 3 is the highly anticipated third studio album from Grammy-nominated artist Ondara. Featuring the single, "An Alien in Minneapolis," the album was produced by Ondara and Mike Viola.
Ringo Starr's newest EP - cleverly named `EP3' - includes 4 new tracks featuring longtime collaborators Steve Lukather, Linda Perry, Dave Koz, Jose Antonio Rodriguez and Bruce Sugar. `EP3' is filled with Ringo's instantly recognizable vocals, feel-good lyrics and easy-breezy melodies. Available on CD.
The story of Miloe begins in the pews of a church in the Democratic Republic of the Congo where Miloe's family would congregate every Sunday and community and rhythm entwined. On his new release Gaps, Miloe set out with the intention of bridging the funk-rock inclinations of Minneapolis with the ebullient Congolese sounds of his upbringing. Across six tracks, Miloe stays heavily syncopated and expertly textured and makes you want to dance with its infectious energy.
Tell All Your Friends is the groundbreaking debut album from Long Island’s Taking Back Sunday. Boasting the hit singles “Cute Without The ‘E’ (Cut From The Team),” “Great Romances of the 20th Century” and “You’re So Last Summer,” the album is highly acclaimed and has influenced artists of all sizes and genres over the last 20 years. This 20th Anniversary Edition 2-disc album includes a bonus 10” featuring four previously unreleased demos.
Harmony House, the follow-up to Dayglow's runaway 2018 debut album Fuzzybrain is a finely calibrated, carefully fussed overexpression of encouragement for anyone who needs it. Inspired by the piano-driven rock from the late '70s and early '80s, the album was written, produced, performed, and recorded entirely by Dayglow himself. Featuring danceable lead single "Close To You", effervescent "Balcony" and timeless "Medicine", Harmony House is about coming to terms with change and accepting that it doesn't have to be overwhelming. The standard edition features orange vinyl.
Under the name Dayglow, Texas-based singer, songwriter, and multi-instrumentalist Sloan Struble creates catchy, effervescent, guitar-based indie pop. Growing up in the town of Aledo, Texas, near Fort Worth, Struble began recording music at the age of ten when a friend showed him how to use GarageBand on his computer. The dearth of musical collaborators in Aledo eventually led him to learn multiple instruments, and throughout his teenage years, he recorded music by himself in his bedroom, taking influence from a variety of artists from Phoenix to James Taylor. Bolstered by the catchy single, "Can I Call You Tonight?" his home-recorded 2018 debut album Fuzzybrain went viral, earning him plenty of indie buzz alongside critical acclaim, millions of streams & sold-out shows. The standard edition features hot pink vinyl.
Calvin Harris, the GRAMMY and BRIT award winning, multi-platinum artist and supper producer, revives his Funk Wav alias with the release of the album Funk Wav Bounces Vol. 2. The album includes collaborations with a vast array of guests – 21 Savage, Dua Lipa, Young Thug, Stefflon Don, Chlöe, Charlie Puth, Pusha T, Shenseea, Tinashe, Normani, Lil Durk, Halsey, Offset, 6lack, Justin Timberlake, Coi Leray, Busta Rhymes, Donae’o, Latto, Pharrell, Swae Lee, Jorja Smith, and Snoop Dog.
Package Box, CD, Photobook (80P), Envelope, Random Large Photocard (1 of 4), Random Postcard (1 of 4),
Random Instant Films (2 of 8), Random Selfie Photocard (1 of 8), Sticker (1 EA/First Press Only), Poster (1 EA/First
Press Only). Version A is Pink.
The latest full-length from Old 97’s frontman Rhett Miller, ‘The Misfit’, exists in an enchanted dimension all its own. With its elegant blurring of psychedelia, dream-pop & electronic-leaning indie-rock, the Texas-bred singer-songwriter’s 9th solo effort emerged from a charmed collaboration with Hudson Valley neighbor Sam Cohen (Danger Mouse, Kevin Morby). Miller grounds each track with the vulnerable songwriting and unaffected vocal presence he’s brought to the Old 97’s for the last 3 decades.
Perseverance carries us through the most turbulent, traumatic, and trying of times. When all hope seems lost, it shines a light from the inside that’s impossible to extinguish, no matter how hard even the darkest forces try. That light also burns bright at the heart of Gogol Bordello. Since 1999, the band have consistently riled up audiences with an inimitable patchwork of punk, gypsy, dub, folk, Latin swing, and Eastern European magic.
However, the New York-based collective trumpet the spirit of survival louder than ever on their eighth full-length album, SOLIDARITNE. Ukrainian-born band leader Eugene Hutz and Co. linked up with New York underground icon Walter Schreifels [Gorilla Biscuits, Rival Schools, Quicksand] to co-produce the album. Meanwhile, H.R. of Bad Brains guested on “Era of the End of Eras,” blessing the track with a cameo punctuated by a key moment from the Bad Brains anthem “Sailin’ On.” The band also recorded a new version single “Forces of Victory” [feat. Serhiy Zhadan & Kazka]. Dizzying acoustic guitar and violin charge forward at lightspeed before crashing into an uplifting verse kickstarted by fits of electric guitar. The accompanying video juxtaposes footage of the band with real-life scenes of citizens and soldiers in the midst of war in Ukraine shot by a Gogol Bordello crew member.
In the end, Gogol Bordello rally everyone together on SOLIDARITNE.
Ultimate Aaliyah is the second and final compilation album by legendary R&B singer Aaliyah. Originally released by Blackground Records in the UK, Australia, and Japan, and only available on CD, the 2005 compilation features three discs of Aaliyah's greatest hits and material from soundtracks and featured work with labelmate Timbaland. This is the first time the compilation is available on vinyl.
Releasing on September 16, Demon Time signals a deeper period of reflection for Mura Masa. From its whispered introduction – “it’s demon time” – to its messy finish, Demon Time is a journey into the unknowns of the night and the quiet revelations you might stumble across along the way. There is a sense throughout of taking guests (and genres) into unfamiliar places and Mura Masa blurring the boundaries of the artist/producer dynamic into something more curatorial.
That’s What Happened 1982-1985: Bootleg Volume 7is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975. He’s touched every inch of pop culture while keeping true to his iconoclastic vision of jazz as amorphous art that’s supposed to bend and flow and mutate to something else. On The Bootleg Series Vol. 7, we get to play in the rubble of what would become yet another period of unprecedented innovation. Beauty resides in evolution. This double LP collects highlights of Bootleg Volume 7 with over 80 minutes of unreleased studio material from 1982 to 1985 on white vinyl. Side men include a multi-generational who’s who of jazz talent from JJ Johnson, Al Foster and John Scofield to Mike Stern, Marcus Miller and Daryl Jones.
In April of 2021, 13 months into quarantine, Rick Springfield and his band performed his most iconic album, “Working Class Dog,” from start to finish live at Rick’s home in Malibu in celebration of its 40th Anniversary. The resulting work is a renewed interpretation of a classic.
The best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that, which is one of many reasons why the group’s new album, Wilderness of Mirrors, feels so aptly named.
Indeed, in the five years since the release of the band’s prior album, Death Song, and the two-plus years spent working on Wilderness of Mirrors, pandemics, political tumult and the ongoing devastation of the environment have provided ample fodder for the Black Angels’ signature sonic approach. If the group’s members were terrified as they honed new music heading into an election year, they realized they didn’t even know how scary things could still get.
So, they looked inward, focusing on both their ongoing creative and musical development as well as their own struggles amid the external chaos. Wilderness of Mirrors hits even more close to home, as the group recorded solely in the friendly confines of Austin for the first time in more than a decade and entrusted co-production duties to its longtime front-of-house engineer, Brett Orrison.
Butcher Brown’s new album Presents: Triple Trey (featuring Tennishu and R4ND4ZZO BIGB4ND) will be released on September 16, 2022. The inspiration for this album comes from Tennishu’s solo album Triple Trey released in May 2019. Shortly after, Tennishu and R4ND4ZZO came up with the idea of performing the album live with Butcher Brown and a big band. The performance received such an enthusiastic response from the audience Butcher Brown decided it must be recorded. So, in August of that same year, the band stepped into Minimum Wage Studios in Richmond and began laying down what would become Butcher Brown Presents: Triple Trey (featuring Tennishu and R4ND4ZZO BIGB4ND). The result is a groundbreaking fusion of rap and big band. There’s nothing like it.
Things are looking up for The Harlem Gospel Travelers, who return here with a new album, a new lineup, and a new lease on life. Produced by Eli Paperboy Reed, LookUp! marks the group’s first full-length release as a trio, as well as their first collection of totally original material, and it couldn’t have come at a more vital moment. The music still draws deeply on the gospel quartet tradition of the ’50s and ’60s, of course, but there’s a distinctly modern edge to the record, an unmistakable reflection of the tumultuous past few years of pandemic anxiety, political chaos, and social unrest. The songs are bold and resilient, facing down doubt and despair with faith and perseverance, and the performances are explosive and ecstatic, fueled by dazzling vocal arrangements punctuated with gritty bursts of guitar and crunchy rhythm breaks.
Born out of a non-profit music education program led by Reed, The Harlem Gospel Travelers—singers Thomas Gatling, George Marage, and Dennis Bailey—released their debut LP, He’s On Time, to rave reviews in 2019, with Pop Matters hailing the album’s “musical transcendence” and AllMusic praising it as “dreamlike and joyous.” The record charted on Billboard, earned the Travelers high profile fans like Elton John (who invited them to appear on his Rocket Hour radio show on Apple Music), and landed them festival slots everywhere from Pilgrimage to Telluride Jazz.
Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, SPARK—the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too?
So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs—so much more immediate and modern than their hazy origins—fit such big-budget reels? “We’d come to the conclusion we weren’t going to be filming Super 8 videos to this stuff anymore,” Julien remembers with a grin. “How about something more hi-fi, cinematic?” When the footage and the tunes linked, Julien and Max knew they had done it, that they’d finally found Whitney’s sound.
SPARK reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What’s more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener “NOTHING REMAINS,” the devastating loss of “TERMINAL,” the sun-streaked renewal of “REAL LOVE”: However surprising it may sound, SPARK is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. SPARK maintains the warmth and ease of Whitney’s early work; these songs glow with the newness of now.
Starcrawler is a rock band for a new generation. With 2 studio albums under their belts, their upward trajectory continues to roll full steam ahead with the release of their new album, She Said. Best known for their explosive live shows, the 5-piece band leans into their own epic vision of a contemporary Hollywood Babylon – morphing into a modern day take on L.A. legends X, with a sprinkle of The Go-Go’s, a smattering of The Distillers, and The Rolling Stones sleaze thrown in for good measure.
Animals 2018 Remix - The iconic 1977 Pink Floyd album has been remixed for the first time by James Guthrie. Animals is a concept album, focusing on the social-political conditions of mid-1970s Britain, and was a change from the style of the band’s earlier work. The album was developed from a collection of unrelated songs into a concept which describes the apparent social and moral decay of society, likening the human condition to that of animals. Taking inspiration from George Orwell’s Animal Farm, the album depicts the different classes of people as animals with pigs being at the top of the social chain, dropping down to the sheep as the mindless herd following what they are told, with dogs as the business bosses getting fat on the money and power they hold over the other. Although it’s been a long time since 1977, the narrative of the album still resonates today as our social and economic situation mirrors that of the time.
The London Suede return with their ninth studio album, Autofiction.
As The London Suede began work on the songs that would become Autofiction, they decided to go back to basics. In a move that recalled their most formative days, Brett Anderson, Mat Osman, Simon Gilbert, Richard Oakes and Neil Codling schlepped to a rehearsal studio in deserted Kings Cross to collect a key, hump their own gear, set up and start playing.
Speaking about Autofiction, Brett Anderson said: "Autofiction is our punk record. No whistles and bells. Just the five of us in a room with all the glitches and fuck-ups revealed; the band themselves exposed in all their primal mess."
First single "She Still Leads Me On" is the track that reconfigured what the album could be. A beautiful song written from Brett to his late mother. As its title suggests, Autofiction is one of Anderson's most personal records yet. Reflecting on the process of writing acclaimed memoirs Coal Black Mornings and Afternoons with the Blinds Drawn helped Brett get a newfound perspective on himself as a performer and singer in the public eye, much of which has bled into the lyricism of Autofiction.
Ginevra is a new group comprised of vocalist Kristian Fyhr (Seventh Crystal), guitarist Magnus Karlsson (The Ferrymen, Primal Fear), bassist Jimmy Jay (H.E.A.T.), & drummer Magnus Ulfstedt (ex-Eclipse, Nordic Union). Ginevra's sound is adjacent to Nordic melodic hard rock like H.E.A.T, Eclipse, and the like, but simultaneously in the same ballpark of more modern American hard rock. Hooky, melodic, and anthemic while also being heavier and more guitar/riff oriented.
This recording is the King of Latin Soul’s 1967 debut album featuring his classic swinging and vibrant sounds, led by the musical direction of Fania Records co-founder Johnny Pacheco. The title track is a nod to the 1961 The Impressions’ hit of the same name. Other highlights include the boogaloo jam “So Fine” and Bataan’s signature soulful tune “Ordinary Guy.” This reissue features all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and is pressed on 180-gram vinyl.
2022 release, the first country music album from the award-winning duo comprised of Jamie Dailey and Darrin Vincent. Produced by Paul Worley (Lady A, The Chicks, Trace Adkins), and with songs written by and the help of Jimmy Fortune, Vince Gill, Alison Krauss, Rhonda Vincent and more, Let's Sing Some Country! Unleashes another side to the award-winning duo that fans don't often hear.
Pepper's sophomore release, Kona Town, is the album that put the band on the map. Featuring classic songs such as "Give It Up", "Stone Love", "Stormtrooper" and "Too Much", Kona Town is 46 minutes of Pop/Rock/Reggae driven by the spirit of aloha and the inspiration of the Hawaiian islands.
Everybody loves a party, and who better to serve as the master of ceremonies than global superstar cellist HAUSER.
With the Dedicated Tour marking the end of a remarkable 10-year run for 2CELLOS, HAUSER is ushering a new era as a solo artist and visual concept creator on his new album THE PLAYER, accompanied by the Czech National Symphony Orchestra conducted by Steven Mercurio, released on September 16, 2022 on Sony Music Masterworks.
Whether it is captivating reimaginations of timeless world music classics such as “Bésame Mucho,” “Quizás, Quizás, Quizás” and “Historia de un Amor,” or his take on modern-day hits such as Ricky Martin’s Latin Pop smash “Livin’ la Vida Loca,” Madonna’s “La Isla Bonita,” Camila Cabello’s “Señorita,” and Shakira’s 2010 Official 2010 FIFA World Cup™ Song “Waka Waka,” HAUSER traverses from genre to genre with ease, inviting fans of all ages and backgrounds to join him for a global dance party extravaganza.
HAUSER uses his irresistible charisma and musical stylings to take listeners on a whirlwind adventure of romance and excitement, a trademark for HAUSER that has made him an international star. The success of HAUSER himself extends far beyond his many, many millions of social media followers with a devoted, international fan base that continues to grow. With more than a billion audio streams across the globe and more than 4 billion video views, the Croatian cellist is a phenomenon that is one part virtuoso and the other, that of sheer, animal magnetism. For HAUSER’s fans, perhaps it is simply his ability to unify generations of music lovers.
HAUSER. He is a magician of the cello…and this is only the beginning.
Phases is an ambient chamber music album which bridges improvised music with electronic production. Kenny Warren’s trumpet and Dave Devine’s guitar tracks were processed with effects, samplers and modular synths by Michael Bailey, in turn creating new layers to improvise over, offering fresh avenues for the musicians to build transcendent soundscapes of texture and timbre that are at times warm and pastoral, other times eerie and disorienting, resulting in a spacious and sublime record.
The earth rotates, seasons change...there is but one long day...
Time is a beguiling, indistinct entity...sometimes standing still, sometimes bending back upon itself with premonitions or memories of the future. Growing out of a pen pal style correspondence that took place over the course of a year, separated by the Atlantic Ocean, Gloria de Oliveira and Dean Hurley passed thoughts and music back and forth that would eventually form their collaborative album, Oceans of Time. The result is an aural tapestry of that exchange: woven from conceptual threads of the celestial within, mortality and the realm beyond stars.
The duo’s partnership is an effortless merge, yet it’s the steady presence of de Oliveira’s vocals that endows the record with its sense of potency. Throughout the album, there is an innate understanding of how a lyric across a chordal color can sharpen an emo-tional truth. Much like a sunbeam that pierces a spiderweb to reveal its intricacy, her lyric and melody are purposely aimed in order to illuminate the truths deep within oneself... a process that ties us all to the universal. The Danish philosopher Søren Kierkegaard, a professed influence, wrote about the truth as something that was inherently subjective, less about the concrete reality of what is believed and more about how it is experienced by the believer.
Frequent David Lynch collaborator Dean Hurley sets the tonal and sonic landscape of each track on the album, lending a layered ether that envelops, frames and holds de Oliveira’s vocals. With its impressionistic synths, shimmering guitars, and ethereal sonics, Oceans of Time at moments recalls the foundational dreampop of 4ADacts like Cocteau Twins and Lush. The album feels especially attuned to the connections between the physical and transcendental realms, and the best dreampop has a way of making the veil between two worlds feel just a little bit thinner.
Chicago/The Blues/Today! Vol. 1 is the first installment of Vanguard Records’ definitive three-part series. Recorded in 1965, producer Samuel Charters enlisted nine of the Midwest’s best blues artists to record a short set showcasing the electric sound of Chicago Blues. Vol. 1 includes J. B. Hutto, Otis Spann, and Junior Wells with contributions from Buddy Guy. This LP features all-analog mastering from the original stereo tapes, pressed on 180-gram vinyl and housed in a tip-on jacket.
With such iconic tracks as “Christmas Time is Here” and “Linus and Lucy,” the Vince Guaraldi Trio’s A Charlie Brown Christmas is the second–best-selling jazz title in history. Certified 5x Platinum and a perennial best-seller, the soundtrack reached #6 on the Billboard Charts in 2021 which speaks to the enduring legacy of the album. For this one-time only 2022 printing, the jacket has been wrapped in gold foil while the Peanuts characters and tree have been embossed for a striking look.
LP: The debut release of the highly-anticipated recording of CCR at London’s Royal Albert Hall. More than 50 years after the legendary 1970 show, the original multitrack tapes have been meticulously restored and mixed by GRAMMY®-winning producer Giles Martin and engineer Sam Okell. This 180g LP was mastered by Miles Showell at Abbey Road Studios using half-speed technology for the highest-quality listening experience. Setlist includes “Fortunate Son,” “Proud Mary,” “Bad Moon Rising,” and more.
The music of Young Jesus has always been about change. Bandleader and sole original member John Rossiter is a restless spirit, always moving, always seeking new sounds, new thoughts, new methods of working. Young Jesus’ new album Shepherd Head is a dramatic departure for the band, delving deeper into the themes that have always fascinated Rossiter—love, loss, and God—approached in a completely new direction. It’s a record of growth and exploration, pushing forward into the future with hope while still holding the pain and regrets of the past, seeking a balance for the present.
For the new album, Rossiter opened up the songwriting process, relying on collaboration and improvisation. Instead of the band’s usual method of months-long rehearsal before cranking out an album live in the studio in less than a week, Rossiter decided to take his time, recording the entire record over a series of years using only his MacBook, GarageBand, and an SM57 microphone. He used found sounds, recording random people on the street, experimenting with white noise, piecing together scraps of songs from voice memos.
The result is a record completely unlike anything in Young Jesus’ discography. Rossiter’s voice is deep and lovely, conjuring a sense of melancholy and grandeur, but never with bitterness or despair. The disparate elements—the found sounds, the friend cameos, Rossiter’s disciplined songwriting—come together in thrilling and sometimes shocking ways. There’s a joy to the music, the wild hope and possibility that arises after tragedy, a feeling of revelation.
Shepherd Head is an album of healing, of acceptance of weakness, of love, and of hope. It’s the sound of an artist stretching himself, going to new places and facing the pain and fear of life. Gathering together the sounds of the world, from the chatter of friends to footsteps of strangers, and building something new out of it. Something singular and unique. Something beautiful.
GRAMMY Award-winning singer, songwriter, actress, and author LeAnn Rimes announces her new album, god’s work (EverLe Records via Thirty Tigers/ The Orchard), to be released on Friday, September 16th. The 12-track record features an eclectic group of accomplished artists that bring a genre-bending sound to the album, including Mickey Guyton, Ziggy Marley, Aloe Blacc, Ben Harper, Ledisi, Sheila E., Robert Randolph, and more.
Written and produced by Rimes and her longtime collaborator and close friend/producer/songwriter Darrell Brown, god’s work has been nearly three years in the making and puts Rimes’ breathtaking vocals on full display. The track listing includes a mix of ethereal, rhythmic, and brutally honest songs that take each listener on their own unique journey, exploring the duality of life and recognizing the light and the dark that we all encounter. Rimes made a commitment to highlight females in the creation of the album, from the mixing to the recording and mastering, allowing her to fully immerse herself in the vulnerability of the lyrics and sound.
“For me, god’s work was all about a journey of reclamation, where humanity meets spirit,” Rimes said. “The idea was to really dig into the duality of life, and I needed to be at the place I am in my life now in order to release this record whole-heartedly. It’s so empowering that I am finally there.”
Rimes intentionally chose to go with an all-lowercase album title and track listing, explaining “If we’re arguing about why the ‘g’ is or isn’t capitalized, we’re missing the whole point. It’s so important for us to focus on the messages, rather than the nuances.”
More about LeAnn Rimes:
LeAnn Rimes is an international multi-platinum selling acclaimed singer and ASCAP award-winning songwriter who has sold more than 48 million units globally, won 2 Grammy® Awards; 12 Billboard Music Awards; 2 World Music Awards; 3 Academy of Country Music Awards; 2 Country Music Association Awards and one Dove Award. At 14, Rimes won "Best New Artist” making her the youngest solo artist to take home a Grammy® Award, and at 15, she became the first country artist to win “Artist of the Year” at the Billboard Music Awards.
The powerhouse vocalist lit up television screens throughout the 2018 holiday season as she starred and served as an Executive Producer in Hallmark’s “It’s Christmas, Eve,” which earned the highest TV original movie debut to-date for the channel premiering to over 4.3 million viewers. In 2020, Rimes shined the brightest and won season four of FOX’s The Masked Singer, with Entertainment Weekly stating that she delivered “… the most beautiful performance in the history of The Masked Singer.”
Passionate about using her voice to help heal the world, LeAnn released a chant record in November of 2020 called CHANT: The Human and The Holy (EverLe Records / Thirty Tigers). Rimes continues her wellness journey with two seasons of her iHeartRadio podcast, Wholly Human, which will bring her lifestyle blog, Soul of EverLe, to life and introduces fans to the teachers and wise souls that have made a positive impact on her life. LeAnn is currently serving as the inspiration judge on the discovery+ competition series, Meet Your Makers Showdown, which started streaming on November 27th. LeAnn is also now celebrating her 25th anniversary as a recording artist, commemorating the release of her debut album “Blue,” and will release her next studio album, God’s Work, on September 16, 2022.
On The Beths’ new album Expert In A Dying Field, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they’re also character sketches of relationships and more importantly, their aftermaths. The question that hangs in the air: what do you do with how intimately versed you’ve become in a person, once they’re gone from your life? The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. The album’s title track “Expert In A Dying Field” introduces the thesis for the record: “How does it feel to be an expert in a dying field? How do you know it’s over when you can’t let go?” Stokes asks. “Love is learned over time ‘til you’re an expert in a dying field.”
Guitarist Julian Lage discovers new possibilities with orchestration on the follow-up to his acclaimed 2021 Blue Note debut, Squintby, expanding his trio with bassist Jorge Roeder and drummer Dave King with the addition of fellow guitarist (and Blue Note labelmate) Bill Frisell. A View With A Room presents 10 compelling new original compositions by Lage that explore a wide range of guitar sounds and textures with these two distinctive masters seamlessly blending their unique 6-string styles.
For the 2018 opening celebration of the Berklee Institute for Jazz and Gender Justice, Teri Lyne Carrington asked her students to select and perform songs from the famed jazz Real Book - a compilation of lead sheets or scores of jazz standards - written by women composers. When she released there was only one in the entire book, Carrington, a Grammy Award winning virtuoso jazz drummer, composer, inter-disciplinary artist, activist and educator, who has worked tirelessly over the last decade to advocate for inclusivity and raise the voice of women, trans and non-binary people in jazz, set out to shift the narrative.
Over the next several years, Carrington assembled New Standards (Hal Leonard Sept 2022) a book of 101 jazz compositions written by women. new STANDARDS Vol. 1 captures 11 of these compositions. This star-studded recording features special guests Ambrose Akinmusire, Melanie Charles, Ravi Coltrane, Val Jeanty, Samara Joy, Julian Lage, Michael Mayo, Elena Pinderhughes, Dianne Reeves, Negah Santos and Somi, backed by a core section comprised of Carrington (drums), Kris Davis (piano), Linda May Han Oh (bass), Nicholas Payton (trumpet), and Matthew Stevens (guitar.)
The record gives listeners a sense of this project’s vast range, with contemporary composers like harpist Brandee Younger’s “Respected Destroyer,” clarinetist Anat Cohen’s “Ima,” vocalist Abbey Lincoln’s “Throw It Away” as well as pieces by Gretchen Parlato, Carla Bley and more. The recordings - which range from vocal ballads to contemporary creative music - are inspired and adventurous and explore the limitless universe of jazz.
Terri Lyne Carrington began playing drums when she was seven, performed with pioneering jazz flugel hornist Clark Terry at ten, and was awarded a scholarship to the Berklee College Of Music at age eleven. Her list of credits includes the likes of Lester Bowie, Stan Getz, Woody Shaw, David Sanborn, Cassandra Wilson, Dianne Reeves, and Herbie Hancock. As a bandleader, Carrington’s triple decade spanning repertoire includes the Grammy award-winning album The Mosaic Project, Money Jungle: Provocative In Blue, and her Grammy-nominated set with Social Science titled Waiting Game. Carrington currently serves as Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice.
Produced by Terri Lyne Carrington and Matthew Stevens, this album is “Vol. 1," Carrington’s goal is to record all 101 pieces from the new songbook that she’s created.
Vengeance, the directorial debut from writer and star B.J. Novak ("The Office"), is a darkly comic thriller about Ben, a journalist and podcaster who travels from New York City to West Texas to investigate the death of a girl he was hooking up with. With an ensemble cast that includes Issa Rae, Ashton Kutcher, and Dove Cameron.
Flocked blacklight glow in the dark cover jacket, discobag and neon magenta vinyl.
When two artists as esteemed & talented as Apollo Brown & Stalley come together, they shine, even in the dark. “Blacklight” represents the combination of two titans of hip-hop, both largely recognized as legends in their own right while also being overlooked by some when the discussions of “best alive” come up.
Downtown Records present, The Bird Song Project "For The Birds: The Birdsong Project". An art-filled, 20LP box set including over 200 tracks of original music and bird-related poetry. Proceeds from the sale of this collection and supporting events will be dedicated to the protection of birds and the habitats they need, today, tomorrow, and for all our futures. Specifically it will go to the National Audubon Society.
The Birdsong Project is a community dedicated to the protection of bird life, and to the celebration of the joy and mysteries of birdsong. We believe that birds - no matter feather or flock - are precious and inspiring and fundamental to our world. That a world without birds would be a world without freedom and flight and song. We believe birds matter, are endangered and need our help.
Recorded at Ardent Studios and released in 1972, the album has gone on to become one of the most influential and iconic debut albums of all time. This 50th-anniversary edition is pressed on 180-gram metallic gold with purple smoke vinyl and features all-analog mastering by Jeff Powell at Take Out Vinyl. The album has been included in Rolling Stone’s 500 Greatest Albums of All Time, with the song “Thirteen” featured in its 500 Greatest Songs of All Time.
Indie Exclusive * 25th Anniversary * Previously long out-of-print, this classic sophomore album by one of the greatest ska bands ever was given a proper treatment for its 20th anniversary. This is a must-have for any Slackers fan, regardless of whether you own the original or not. Remastered for vinyl, “Redlight” never sounded as good; and with a two-color foil stamped cover, exclusive art-print insert, and lyric sleeve, it’s never looked so good either! Originally released by Hellcat Records in 1997, this album truly solidified the Slackers’ iconic sound, blending ska, reggae, soul, jazz and dub, seamlessly, with the passion and integrity that the band has embodied. Whether you’re a new fan, or an old diehard, and whether you pick it up at the band’s merch table, your local record store, or your favorite online retailer, this brilliant re-issue is not one to pass up.
Long on style and perpetually short on cash, bounty hunters Spike, Jet and Faye trawl the solar system looking for jobs. As the crew of the Bebop, they make up a ragtag team that chases down the galaxy's most dangerous criminals. They'll save the world... For the right price!
Yes, Cowboy Bebop (Soundtrack from the Netflix Original Series) is now available on vinyl! Yoko Kanno and the band SEATBELTS, the artists behind the music in the original anime series of Cowboy Bebop, have returned to bring their signature dynamic, jazzy sound to the Netflix live action show. The resulting compositions are characters themselves - constant companions to the crew of the Bebop and brimming with just as much personality.
Cowboy Bebop (Soundtrack from the Netflix Original Series) is a treat for Bebop fans in an additional way - it features over twenty new tracks only available on vinyl! This wide release is pressed on red/orange marble vinyl discs in a gatefold jacket with printed inner sleeves.
In keeping with the tradition of Julia Quinn’s novels, Bridgerton Season Two tells the romance story of Lord Anthony Bridgerton’s quest for love. Duty, desire and scandal collide when he decides to marry, only to meet his match in his intended bride’s headstrong big sister. Bridgerton Season Two (Soundtrack from the Netflix Series) features Kris Bowers’ score who previously worked with Shondaland on For the People.
Iconic Grammy Award-winning singer, songwriter, Oscar-nominated actress, producer and philanthropist, Mary J. Blige is a figure of inspiration, transformation and empowerment making her one of the defining voices of the contemporary music era. With a track record of eight multi-platinum albums, nine Grammy Awards (plus a staggering 32 nominations), two Academy Award nominations, two Golden Globe nominations, and a SAG nomination, among many other accolades, Blige has cemented herself as a global superstar. And in the ensuing years, the singer/songwriter has attracted an intensely loyal fan base—responsible for propelling worldwide sales of more than 50 million albums. Blige’s 15th studio album “Good Morning Gorgeous” resonates with female empowerment anthems, soulful torch songs, and energetic tracks including the singles “Amazing (feat. DJ Khaled)”, the title track “Good Morning Gorgeous, and “Rent Money (feat. Dave East)”. The album release led into a historic performance at the Pepsi Super Bowl LVI Halftime Show at SoFi Stadium in Inglewood, CA alongside Dr. Dre, Eminem, Snoop Dogg and Kendrick Lamar on February 13th, 2022.
The story of Ritual Howls begins in a southwest Detroit basement in the early winter of 2012. Singer/guitarist Paul Bancell had been writing and performing solo as well as in several bands and was looking for collaborators for a new project. Ben Saginaw (bass) and Chris Samuels (synths, drums, drum machines) were acquatances that became natural fits. With the help of a friend (Jeff Navarre), they recorded their first full-length in Ben's art studio using a laptop. Paul tracked vocals at home in his bedroom and, not wanting to relinquish control, mixed and mastered the album himself. A formidable introduction to the band's haunting, cinematic blend of twangy industrial rock, their self-titled album established the band as a unique force in the landscape of dark music, both past and present. Separated by a decade, four LPs, two EPs later, Ritual Howls is an impressively cohesive first effort and testament to the band's vision that, even in its infancy, forged a distinct sound that has only matured with perfection over time.
EBM is the first new music from Editors since 2019 and signals a new era from one of the UK's most intriguing and enduring musical success stories. Having previously collaborated with Editors, bringing additional production to their sixth album, Violence, Ivor Novello winning composer and producer Benjamin John Power, aka Blanck Mass, joins as a full time member and ushers in another bold chapter for a band that never stood still creatively over the course of their 17 year career. All 6 of band's studio albums have charted in the UK top 10, with 2 scoring number 1's, and their debut, The Back Room, was shortlisted for the Mercury Prize. Their 2020 tour saw them play their biggest UK headline show to date at OVO Arena Wembley, attesting to their ever-growing audience at home and abroad.
“The whole point of this record was to share every emotion that I feel,” says The Soft Moon’s Luis Vasquez.“No two songs are the same. It’s about existing in the world as a human being and experiencing many emotions and experiences throughout life.”
And so hence the title Exister, a record rooted in the ecstatic joys and crippling lows that life can throw up and how just hanging on and existing is sometimes all we have. “Exister is my way of saying ‘I’m here, deal with it.’” Vasquez says.
Sonically, this expression is a vast, expansive and potent one. The opening ‘Sad Song’, which unfurls with a dense brooding atmosphere, Vasquez describes as almost a ballad, while tracks such as ‘The Pit’ capture the opposite end of the musical spectrum, exploding as a thundering piece of industrial techno complete with gut-churning levels of bass. ‘Monster’ - a song that follows a human metamorphosis into an unrecognizable and destructive being - seamlessly combines a deeply melodic, almost electro pop, vocal hook with a slow build atmospherics to create something equally beautiful and unsettling. ‘Become the Lies’ explores the devastating consequences of being lied to by your own family and is a post-punk stomper, merging charging basslines, pummelling drums and snaking guitars, all of which combine explosively. Elsewhere the album runs the gauntlet of everything from ambient to dark wave - features ferocious guest contributions from fish narcand Special Interest’s Alli Logoton ‘Him’ and ‘Unforgiven’ - all while retaining that distinct tone that unmistakably The Soft Moon.
Tim Burgess is an English musician, singer-songwriter and record label owner, best known as the lead singer of the alternative rock band the Charlatans. While in The Charlatans, Tim's indefatigable energy has been a consistent fuel for the band across thirteen high-charting albums, and his solo adventure has been no less extraordinary, scaling new heights in 2020 with his fifth solo album, I Love The New Sky followed by the Ascent of the Ascended EP in 2021. Typical Music is a 22-track blockbuster set of songs that are as expansive and diverse as they are rich, as fun as they are funky and that embrace heartache and love. They run the gamut, from ABBA (in the shape of guest vocalist Pearl Charles) to Zappa (free-form studio experimentation). Tim continues to host his infamous #TimsTwitterListeningParty, having drawn in members of bands such as Iron Maiden, Culture Club, Tears for Fears, Japan, the Smiths, the Go-Go's and New Order.
Paradise Again came together in the wake of rediscovering Swedish House Mafia's musical synergy on the band's 2019 reunion tour, spending countless hours in the studio, exorcizing new sonic palettes, textures, and tones from an arsenal of analog synths. It represents an ambitious broadening of their musical scope, as evinced by the wide-ranging roster of collaborators and guests, including The Weeknd, A$AP Rocky, Sting, Ty Dolla $ign, 070 Shake and many more.
Daddy Yankee’s farewell album LEGENDADDY combines all the styles that have defined him in one single album. It contains 19 tracks and has the most superb guest list yet including Bad Bunny, Rauw Alejandro, Nile Rodgers, Becky G and more. He also collaborated with some of the industry’s hottest producers including Play-N-Skillz, Luny (Luny Tunes) and Tainy. LEGENDADDY stands out as his first album in ten years and his boldest, brightest, and biggest musical statement ever.
Limited blue colored vinyl LP pressing in gatefold jacket. The Wonder Years is a band. That descriptor both defines and understates the rock band that has released some of the most life-affirming, cultural touchstones of the 2010's and 2020's. On the band's fifth full length studio album, The Hum Goes On Forever, The Wonder Years created the most "The Wonder Years" album in their career. With their trademark call-backs to previous songs/albums, and thought-provoking and heartfelt vulnerability on display, The Hum Goes On Forever is one for The Wonder Years' fans, for anyone who listens, anyone who needs it, everyone who's grown up with the band and has sought, and continues to seek, refuge in their songs.
Four-time GRAMMY nominee, multi-platinum selling saxophonist Boney James’ new album Detour marks his 18th release as a leader. Following the success of his 2020 album Solid (#1 Billboard Contemporary Jazz Chart and #10 Billboard Top Albums), Boney’s new record showcases ten original tracks including “Coastin’” featuring iconic vocalist Lalah Hathaway. Also featured is trumpeter Dontae Winslow, known for his work with the West Coast Get Down.
Steve Bates is an artist and musician known for his work with post-rock ensemble Black Seas Ensemble, duos with Timothy Herzog and Sophie Trudeau of Godspeed You! Black Emperor, amongst others, as well as a series of digital-only sonic explorations on his own label, The Dim Coast.
All The Things That Happen is his first full-length album for Constellation. For this album, Bates pursued a more stripped down exploration of the noisier terrain of the cheap timbre and tonality of the much-loved Casio SK-1 keyboard sampler. These sounds were fed through a variety of electronics, effects, amps, cassettes recorders to shift into their current form heard on these tracks. Steve notes that all the tracks started off as ambient, “but I always kept reaching for more texture and noise.” Getting reacquainted with the Casio SK-1 was the initial focus on developing the music here. Processed and manipulated during the recording and mixing stages, these initial SK-1 sessions became the foundation of this body of music. Working within the rich world of experimental electronics, these tracks have a core melodicism to them and maybe even a melancholy, as distortion and overtones saturate and spray the music in various directions, while feeling whole and integrated as a body of sound.
Three CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics combined with the fans' unbridled energy consistently brought out the best in the Dead. At the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said "This place was both horrifying and titillating with an audience that was discerning but ravenous. We had to rise to the occasion every time."
Dan Álvarez de Toledo and Jordan Dunn-Pilz have a special bond. Growing up in Newburyport, Massachusetts, the two were fast and unshakable friends through sleepovers, school choir practices, and discovering formative bands, to the point that now, as roommates in Brooklyn, they finish each other’s sentences. This shared history and obvious love for each other are tangible in their songwriting project TOLEDO, named after the Spanish town and Álvarez’s familial namesake. Their music, which is full of seamless harmonies throughout, skirts the softer edges of indie rock and the darker fringes of pop with each song imbuing a heaping dose of vulnerability and emotional openness.
On How It Ends, their debut album which is out September 23 via Grand Jury Music, the two dive into each other’s family histories and traumas as they navigate their own lives as twenty-something musicians. These tracks are striking for their blunt honesty but also for the way Álvarez and Dunn-Pilz’s real-life chemistry translates on record: the 12 songs are as tender as a warm hug and as clarifying as a needed reality check. This LP is the product of deep self-reflection and the necessary hard work that comes with any relationship.
Through the writing of these songs and the making of this music, I found my way back to the world around me – a way to reach nature and the people I love and care about. This record is a sensory exploration that allowed for a connection to a consciousness that I was searching for. Through the resonance of sound and a beaten up old piano I bought in Camden Market while living in a city I had no intention of staying in, I found acceptance and a way of healing.” Beth Orton describes Weather Alive, her most personal album to date, as “a collaboration with time – of someone struggling to make sense. And in that struggle, something beautiful got made.” For Orton, music re-emerged in the past several years as a tethering force, even when her own life felt more tumultuous than ever. After wrestling with mysterious health issues for years, she turned a major corner in 2014 when at long last she received a correct diagnosis and was able to begin managing her condition with medication. However, Orton found this newfound clarity almost as disempowering as the mystery of her inexplicable illness because it waylaid her sense of self, and when strange occurrences persisted, she was only able to process them through long periods of making music at the upright piano installed in a shed in her garden. These sessions in solitude turned into the eight-track Weather Alive, the first album Orton has self-produced in her 30-year career. The piano spoke to Orton, holding an emotional resonance she wasn’t able to explore with guitar. Indeed, the first notes of the album-opening title track usher the listener into an expansive, emotive and dream-like world of sound with little precedence in Orton’s prior work, and through the writing of these songs and the making of this music, Orton found her way back to the world around her. Orton’s close collaborators on Weather Alive include Tom Skinner (Sons of Kemet, The Smile) on drums and Tom Herbert on bass, with additional players adding nuance and color to the music: Shahzad Ismaily on guitar, drums, harmonica, bass and Moog, Sam Beste on vibraphone, Francine Perry on synths, and Alabaster dePlume on saxophone.
Divino Niño are no strangers to bold reinvention. When Camilo Medina and Javier Forero—friends whose bond dates back to their childhoods in Bogotá, Colombia—moved to Chicago and recruited guitarist Guillermo Rodriguez to form a band, they were psych-pop outsiders playing live shows with a drum machine. With the addition of drummer Pierce Codina, their 2019 breakthrough and debut LP for Winspear, Foam, solidified their place as local indie rock mainstays. Soon after, multi-instrumentalist Justin Vittori joined to round out their lineup. Once again, with their masterful, unpredictable, and eminently danceable new album, the band has done something radical: They totally upended the way they write songs, eschewing practice room jams for unrelentingly collaborative beats, implied grooves for immersive dance floor heaters, and mellow vibes for frenetic doses of reggaeton, electropop, and trap on their most adventurous and ambitious work to date. Welcome to the Last Spa on Earth.
Written and recorded over the past two years, Last Spa on Earth deals in release and catharsis: confronting your darkest moments and coming out better for it. The album artwork, done by Medina, a longstanding visual artist, depicts a dreamy, yet graffiti-tagged spa, void of physical bodies so listeners can envision themselves in this unique environment. It represents the yin and yang approach Divino Niño took while creating the album: the serenity of the spa and the chaos of the party. Ultimately, the band’s desire is to provide healing in the same way one feels after sweating, shivering, stretching, and resting at the spa against the backdrop of the world’s darkness. Last Spa on Earth is the cathartic product of Divino Niño letting go of their musical preconceptions, past traumas, and future anxieties to embrace change, chaos, and each other’s contributions both to these songs and to each other.
Troubadour, meaning an itinerant singer of songs, is a word that dates back centuries, and comes from the French verb “trouver,” which is to find. These musical wanderers would find and invent stories humorous and intellectual, romantic and earthy, performing them as they went from town to town. Troubadour is also the word that acclaimed musician-raconteur Todd Snider leans on to describe himself and his latest release, Live: Return of the Storyteller.
“I think my first thought with this record was I wanted to remind people really quickly that I'm a troubadour,” says Snider. “Playing live is the only chance for me to show, 'This is what I really do.' I've never thought of myself as a recording artist. I'm someone who gets over by traveling around, telling stories, making up new songs and singing them alone on stage.”
Before he even made his professional debut with Songs For The Daily Planet in 1994, Snider already knew that he wanted to be part of this time-honored tradition. “I like the romantic notion of drifting around and laughing your way through life,” he says. “Like Jim Croce or Mark Twain. I felt like I was half-doing that anyway. When I was 19, I was a real drifter and a sofa circuit person. Then when I first saw Jerry Jeff Walker and John Prine play, I became obsessed. I followed them both around like The Grateful Dead. I saw that the difference between a free spirit and a freeloader was three chords.
“And as soon as I figured that out, I knew that it would help me as a person who didn't have a plan. Just to be a busker. I didn't want to sign up for normal life. I wanted to do another thing, and then it turned into a real gig. I was really surprised. It's still funny to be getting away with it.”
That speaks to Snider's modesty about his singular talent and deep catalog of songs of every emotional stripe. Rolling Stone has called him “America's sharpest musical storyteller” while the New York Times described him as “a wryly quotable phrasemaker and worthy antagonist.” Live: Return of the Storyteller – his third live album and nineteenth overall - plays like a masterclass by one man with a guitar and a freewheeling imagination. Threading his husky-voiced phrasing through a likable cosmic cowboy manner, he invites you on a tour of tunes humorous (“Big Finish,” and the have-meets- have-not “In Between Jobs”), Proustian (“Play a Train Song,” “Too Soon To Tell,” and the lump-in-the-throat snapshot of John Prine on “Handsome John”) and heart-worn (“Like a Force of Nature,” “The Very Last Time,” “Roman Candles”). As the fifteen-song set unfolds, you can feel a tangible bond building between Snider and his fans.
But the songs are only half of what makes the connection so compelling.
Acting as palate cleansers and putty, the stories between numbers offer colorful glimpses into Snider's interior life. Whether he's talking about being mistaken for a homeless guy in a nice hotel, searching for a song in the woods while tripping or the poetry of one of his heroes dying on stage, his spoken interludes are delivered with both meandering charm and deadly comic timing.
Snider credits an unlikely source of inspiration for both. “The comedian Richard Lewis is a friend and a mentor, and we talk almost every day,” Snider says. “We met about six or seven years ago through a drummer who's a mutual friend, and really hit it off. I feel like since I've known him, my storytelling has evolved. I don't know that I've gotten better, but a lot of the ways I approach my shows is from learning things from Richard. Especially this idea of being able to go on and on without just going on and on. To ramble without getting boring.”
Snider is also mindful about not repeating himself when he's returning to a familiar venue, which can add a tightrope quality to his performances. “On this record, when I left Nashville, I didn't know what I was going to say,” he admits. “I just knew that it couldn't be the same shit that I've said. I was going to have to have some new stories to tell. That's how it's been for years. Then one night, I'll get up there and open my mouth and something new comes out. And then I'll just keep telling it and refining it. It happens under pressure.”
The timing of Live: Return of the Storyteller's release has extra resonance in our post-pandemic era. Snider says, “I'm glad I recorded the tour last year, because that was the sound of the country getting to see live music again. It was unique and it won't happen again. Everyone just hugs at the start of a concert - you can tell that they're glad to see each other, and then they get more excited than they used to be about just being out and seeing music. I'm sure that it will go back to normal, but it hasn't yet.”
While the album captures what Snider laughingly calls his “second tour - because I went out on the road in '94 and never went home until the pandemic” - it acts as both a summing up of a thirty-year career and a look ahead.
“I always think that being a recording artist isn't something that I've thrived at,” he says. “I have fun with it and try all different kinds of music and try to learn more and more, but the only reason I get to do it is because of the main thing I do - which is travel around by myself and sing and tell stories. That thing works. Since I was twenty, that thing has worked. People come to see me do it and I love to do it.”
Sunny Sweeney, a genre-bending songwriting spitfire who has spent equal time in the rich musical traditions of Texas and Tennessee, returns with 'Married Alone', the celebrated singer-songwriter’s fifth studio album and the follow-up to 2017’s critically acclaimed 'Trophy'. Co-produced by beloved Texas musician and larger-than-life personality Paul Cauthen and the Texas Gentlemen’s multi-hyphenate Beau Bedford, Married Alone is Sweeney’s finest work yet, bringing together confessional songwriting, image-rich narratives and no shortage of sonic surprises for a loosely conceptual album about loss and healing.
"Before I made this album, I did two things I’d never done before. I saw Stevie Nicks in concert with Fleetwood Mac, and I toured with Bob Seger. While Waylon and Loretta are tattooed on my heart and I’m deep-rooted in fiddle, steel, and twangy telecaster, this time, I channelled my deep love for rock icons Stevie, Tom Petty, Neil Young and Bob Seger in a way I never have before. I married ethereal rock vibes with the grit of a country lyric. Paul Cauthen took the helm as producer and brought in the stellar Beau Bedford and Jeff Saenz to complete the trifecta to get the sound we were going for. The majority of the album was recorded at Modern Electric Sound Recorders in Dallas, TX and features some of the band members I play with every night on tour. I want my fans to be able to take home that live experience, the guitar tones, fiddle solos - I leave everything on the stage each night and I want people to feel that in this recording."
Iron Fist is repositioned as a vital snapshot of Motörhead at a crucial period when they found themselves caught in the tornado ignited by success and, in true Motörhead style, careered into their next phase at such velocity it transcended logic or reason to become this trio’s final kamikaze joyride. Forty years later, with fall-out long dissipated and a proper mastering job that avoided it at the time, Iron Fist sounds like prime Motörhead with the gloves and seat-belts off. For sheer velocity, it could be fastest of them all, the ferocious title track earning such an accolade in Kerrang! in its tribute spread to Lemmy after he passed away. By 1982, punk had been and gone, the new wave of heavy metal sounded squeaky and cliched next to its grubby godfathers and, while still trouncing all opposition, Motörhead retained that essential ability to laugh at everything, including themselves as they made lightning raids on every sense and orifice with everything cranked to overload. This is the limited edition black & blue swirl vinyl single LP of the album
On Internal Radio, the new album by Eerie Wanda, visual artist and musician Marina Tadic welcomes you to her inner world. Guided by intuition, Tadic’s songs use haunting, ethereal space, growing whole universes from the seeds of ideas. Internal Radio documents Tadic becoming the artist she wants to be, working through some things, and even exorcizing a few demons. The result is the most realized Eerie Wanda album yet, building on the project’s guitar pop past for a more experimental, other-worldly, serious grown-up affair that ventures into sensitive, emotional territory.
Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed “the African John Lee Hooker,” one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence.
Though he transcended in 2006, Ali’s musical legacy lives on through his son, Vieux aka “the Hendrix of the Sahara,” an accomplished guitarist and champion of Malian music in his own right. On Ali, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original’s integrity. The result is a rightful ode to a legend.
Ali isn’t just a greatest hits compilation. It’s a lullaby, a remembrance of Ali's life through known highlights and B-sides from his catalog. It is a testament to what happens when creativity is approached through open arms and open hearts. “To me, music is magic, it is spontaneous, it is the energy between people,” Vieux says. “I think Khruangbin understands this very well.”
The genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album Con Todo el Mundo, was beginning to play to bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, Ali captures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. Now, given Khruangbin’s reach as a unit with legions of fans (including the likes of Jay-Z and Paul McCartney), they’re poised to bring Malian music to broader groups of listeners.
THE KINKS, Muswell Hillbillies & Everybody’s In Show-Biz – Everybody’s a Star deluxe 6LP, 4CD box set is being released through BMG on September 9, 2022 in celebration of the 50th Anniversary. The box set combines two of THE KINKS’ classic 1970’s albums - Muswell Hillbillies, the album the band toured in America; and helped define them as a rock band in the U.S.. And Everybody’s In Show-Biz – Everybody’s a Star; the album that was written in reflection of the tour. Packaged inside a newly designed two-part box, this deluxe set includes remastered audio from the original Muswell Hillbillies & Everybody’s In Show-Biz, pressed across 5 color vinyl and 4 CD’s. Also includes a bonus heavyweight black vinyl of 11 new Ray Davies remixes and a Blu-Ray video of “Ray Davies 1971 Home Movie”. Also included in the release is a “London Roots Map” of all the Kinks landmarks, x6 glossy photos, a Kinks Pin-Badge and 52pp hardback book including rare and unseen band photos and quotes.
ABBA’s all-time best-selling album is now available as a limited-edition Picture Disc 2 LP for the very first time, featuring 19 timeless hits such as “Dancing Queen” and “Mamma Mia.” Pressed on 180-gram heavyweight vinyl which features classic ABBA graphics on the design, the discs are housed in a die-cut gatefold sleeve.
Double vinyl LP pressing. Almost Everything. Is a two-part album. The first, features 15 of Ireland's best-loved artists reading Kavanagh's poetry against the backdrop of a truly stunning musical composition. The second, is a remaster of the 1964 album from Claddagh Records, the only recording of Patrick Kavanagh reading his own poetry. The sleeve notes include fellow poet John Montague's description of Kavanagh as "a writer who already has his place among the Irish immortals, both as a personality and a poet."
Searching In Grenoble: The 1978 Solo Piano Concert is a previously unissued recording of jazz icon Mal Waldron's mesmerizing performance at the "Five Days of Jazz" series in Grenoble, France on March 23, 1978. Waldron was Billie Holiday's final accompanist, played with John Coltrane, Charles Mingus and Jackie McLean, and recorded dozens of solo albums before his passing in 2002. The beautifully designed, deluxe 2-CD set includes photos, an extensive 24-page booklet, essays and interviews.
Limited yellow colored vinyl LP pressing. 2022 release. Anyone that cut their metal teeth with The Big Four, and then dug a little deeper into the indie scene, should receive a major endorphin rush when they discover that speed and thrash masters Razor are about to release their first studio offering in 25 years. The album, Cycle of Contempt, is a direct, cutthroat record that pulls no punches and takes no prisoners. From the catchy, concise riffs and insistent beats of album opener "Flames of Hatred" to the double-barreled assault, muted power chord chugging and combative gang vocal of album closer "King Shit," Cycle of Contempt is a trenchant reminder of a time when clubs around the world were packed with long-haired bands that played as fast as they could and mosh pits that spun and tumbled like clothes in a short-circuiting dryer. As energetic and exciting as Evil Invaders and as urgent and powerful as RAZOR's 1989 speed-fest Violent Restitution, Cycle of Contempt showcases a band that never stopped spewing venom.
Nonesuch Records releases Pulitzer Prize and Grammy Award–winning composer Caroline Shaw’s Evergreen, performed by Shaw and Attacca Quartet, on September 9, 2022. Evergreen is five original works by Shaw: two suites written for string quartet—Three Essays and The Evergreen—two pieces written for string quartet and voice, and one piece written solely for string quartet. It also includes an interpretation of a twelfth century French poem, which the Quartet performs with Shaw on vocals.
Following 2019’s Orange, which featured six of Shaw’s pieces for string quartet and earned Attacca Quartet a Grammy Award for Best Chamber Music/Small Ensemble Performance, Evergreen was built around the titular four-song suite, first performed by the Viano String Quartet in 2021. Shaw describes the work as an offering to one particular tree in an evergreen forest on Swiikw (Galiano Island), off the west coast of Canada. The album also includes Three Essays, a suite written for and premiered by Calidore String Quartet that addresses language’s power to stir emotion and spread information and ideas through written, spoken, and digital forms; And So, a piece composed for the Philharmonia Baroque Orchestra & Chorale and mezzo-soprano Anne Sofie von Otter as part of Shaw’s Is a Rose trilogy; Blueprint, a work originally composed for the Aizuri Quartet and relating closely to an early string quartet by Beethoven; Other Song, a piece written for the National Symphony Orchestra and originally released on Shaw's 2021 solo vocal debut, Let the Soil Play Its Simple Part; and an interpretation of Cant voi l’aube, a poem by twelfth century trouvère, Gace Brulé.
Joni Mitchell was at a turning point 50 years ago. After making four acclaimed albums with Reprise Records, including her 1971 masterpiece Blue, she left the label to join the brand-new Asylum Records in 1972. Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. The evolution culminated in 1979 with Mingus, her collaboration with jazz titan Charles Mingus, and her studio last album for Asylum.
Explore the beginning of that prolific era with THE ASYLUM ALBUMS (1972-1975), the next installment in the Joni Mitchell Archives series. The collection features newly remastered versions of FOR THE ROSES (1972), COURT AND SPARK (1974), the double live album MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). All four were recently remastered by Bernie Grundman.
The cover art for THE ASYLUM ALBUMS (1972-1975) features a previously unseen painting by Mitchell. The set also includes an essay by friend and fellow Canadian Neil Young. He writes: Joni's music is so deep and transporting. She comes right from the source. There is no mistaking it.For The Roses, Court And Spark, Miles Of Aisles, and The Hissing Of Summer Lawns.are all classics in my book. I listened to every album as it came out. The musicians she played with were always above my abilities. She had grown from folk to jazz and in between, creating a unique kind of sound that I loved to listen to over and over.
THE ASYLUM ALBUMS (1972-1975)
THE ASYLUM ALBUMS (1972-1975) follows Mitchell's musical evolution over four albums as she embraced more jazz-inspired pieces and moved away from the folk and pop of her early years. It includes essential tracks like her first Top 40 hit, You Turn Me On, I'm A Radio and her highest-charting (#7) single Help Me, plus favorites like Free Man In Paris, Raised On Robbery and In France They Kiss On Main Street.
FOR THE ROSES
FOR THE ROSES, which was released 50 years ago this November, was certified gold and added to the Library of Congress' National Recording Registry in 2007. Court And Spark topped the U.S. album chart and was certified double platinum, making it the best-selling album of Mitchell's career. It was nominated for multiple GrammyO Awards, including Album of the Year, and won Best Arrangement Accompanying Vocalist for Down To You.
MILES OF AISLES
MILES OF AISLES is a double live album that spotlights the tour for Court And Spark. It reached #2 on the album chart and was certified gold. The Hissing Of Summer Lawns was certified gold as well, peaking at #4 on the album chart and earning a Grammy? Award nomination for Best Female Pop Vocal Performance.
Noah Gundersen returns with his much anticipated new album, ‘A Pillar of Salt’ out October 8th ahead of a US headline tour kicking off October 9th. The project is a return to form for Gundersen, coupling heartfelt lyrics with his signature understated vocal performance. Featuring singles “Sleepless in Seattle” and “Atlantis,” a stunning duet with Phoebe Bridgers, fans old and new will be celebrating this triumphant piece of art.
"Eternally Yours" is about permanence and transience. The lyrics of the songs from four decades are for the most part written by Marian Gold herself. A central theme for Alphaville and Marian Gold has always been dreaming: 'We get around quite a lot, we've played almost everywhere, in and out of our heads. All this contributes to our music, to the idea of what Alphaville could be. It's like a never-ending dream. Those who listen to our music hear fragments of that dream.' The all- new and titular song reads like a farewell letter. In fact, except for the chorus, all the lines are taken from sonnets by Shakespeare. Marian Gold and his two arrangers Max Knoth and Christian Lohr succeed on this album in providing the musical substance of the songs with the appropriate sound content. At the same time, the songs do not sound unusually bloated or overused - on the contrary: as a listener, one wonders about the natural, warm, even familiar sounds and asks oneself why there have not been more symphonic arrangements of Alphaville songs before.
Vinyl LP pressing. 2022 release. Beth Nielsen Chapman returns with her first full length LP since 2018's Hearts of Glass, and it's her first release on UK based indie label Cooking Vinyl. Twice Grammy nominated and a legend in the folk and singer / songwriter world, she's written for & with the likes of Bonnie Raitt, Elton John, Willy Nelson and Faith Hill over her impressive 40 year career. It was produced by Ray Kennedy (Steve Earle, Lucinda Williams) at the well known Room & Board studio in Nashville, Tennessee.
2022 release. At any given time, you're likely to find Jim Lauderdale making music, whether he's laying down a new track in the studio or working through a spontaneous melody at his home in Nashville. And if he's not actively crafting new music, he's certainly thinking about it. "It's a constant challenge to try to keep making better and better records, write better and better songs. I still always feel like I'm a developing artist," he says. This may be a surprising sentiment from a man who's won two Grammys, released 34 full-length albums, and taken home the Americana Music Association's coveted Wagonmaster Award. But forthcoming album Game Changer is convincing evidence that the North Carolina native is only continuing to hone his craft. Operating under his own label, Sky Crunch Records, for the first time since 2016, Lauderdale recorded Game Changer at the renowned Blackbird Studios in Nashville, co-producing the release with Jay Weaver and pulling from songs he'd written over the last several years. "There's a mixture on this record of uplifting songs and, at the same time, songs of heartbreak and despair-because that's part of life as well," he says. "In the country song world especially, that's always been part of it. That's real life."
160g LP (pressed at Smashed Plastic in Chicago), in a Heavyweight Reverse-Board LP Jacket, with Insert Sheet, OBI Strip, and Poly-Lined Innersleeve.
In These Times is the new album by Chicago-based percussionist, producer and composer Makaya McCraven. This is the album McCraven’s been trying to make since he started making records – and his patience, ambition and persistence have yielded an appropriately career-defining body of work. With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators – including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill – the music was recorded in 5 different studios and 4 live performance spaces while McCraven engaged in extensive post-production work at home. the 11 song suite was created over 7+ years, as McCraven strived to design a highly personal but broadly communicable fusion of odd-meter compositions from his working songbook with orchestral, large ensemble arrangements and the edit-heavy “organic beat music” that he’s honed over a growing body of production-craft.
Stratovarius – the Scandinavian flagship of Symphonic Metal and one of the most famous bands of their genre in the world, managed to establish themselves as one of the top names in the Metal scene and have since influenced bands all over the world.
The Finnish band gained international success with albums like ‘Fourth Dimension’ (1995), ‘Episode’ (1996) and their epic project ‘Elements, Pt. 1’ (a peak in their Progressive and Symphonic style of Power Metal) and ‘Elements, Pt.2’ - to name just a few of the band‘s milestones. In 2009 ‘Polaris’ marked a fresh start for the band as guitarist and band leader Timo Tolkki left the band. Instead of being a difficult re-start, ‘Polaris’ showed Stratovarius in top form and perfectly able to captivate people all over the world: The album became a hell of a comeback and charted higher than the previous releases around the globe. Since then, Stratovarius continue to walk the path of success, inspiring fans and other bands, young and old, all over the world.
Seven years after the release of their last album “Eternal”, Stratovarius once more prove their status as symphonic metal flagship and come back with a big bang.
Not only musically the band is once more at the pulse of time. The environment and humanity’s future has always been an important and reoccurring theme in Stratovarius’ music and so the title of the new album “Survive” as well as the accompanying artwork doesn’t surprise - especially in the view of the current global situation.