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A long-time fan of the front-line pairings of the 1950s bands of Miles Davis, Art Blakey and Horace Silver (for whom "Silver Mine" is dedicated), Swainson shaped both his compositions and the blue-chip rhythm section of pianist Renee Rosnes (with whom he'd worked in the 1990s cross border band Free Trade) and Lewis Nash around this stylistic post-bop conception.back to top